Directed by:
Jonathan LiebesmanScreenplay:
Christopher BertoliniCinematography:
Lukas EttlinComposer:
Brian TylerCast:
Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Michael Peña, Ne-Yo, Noel Fisher, Susie Abromeit, Joey King, Jim Parrack, Lucas Till, Cory Hardrict (more)VOD (1)
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When the world's biggest cities are subjected to a coordinated surprise attack from a hostile extraterrestrial invasion, it is up to a Marine staff sergeant (Aaron Eckhart) and his newly-formed platoon to provide the first line of defence against the alien intruders as they strike Los Angeles. Making up the rules as they go along, the soldiers must give it their all as they defend their city against an unknown enemy. (Sony Pictures Releasing)
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Reviews (11)
I am not the target audience and I already knew what I was getting into with this film, so I was not disappointed in any way. However, I will not give it a higher rating just because of that. The Cold War ended, and so it was necessary to find a new target and a worthy opponent for the American marines who could resist them for at least a few hours. It is not so much because it is pathetic, pro-American, and who knows what else, it is simply because it is too dull, monotonous, and predictable for me. As a teenager, I would have definitely added a star, but I stand by my review. Overall impression: 25%.
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It's propaganda. Join the U.S. Marines because they're the best men on the planet and John Wayne is proud of them. World Invasion is a guilty pleasure. Despite the idiotic screenplay which is full of pathos, there are some damn spectacular action sequences, explosions, shootings and footage of a beautifully broken Los Angeles. A comparison with Crysis would be spot on. All it’s missing is a nanosuit. Aaron Eckhart as "Mr. Staff Sergeant" is the kind of military Jesus with a human face who makes the hardest of decisions and is seen as "heroic". The other soldiers are here to die (for him) or to follow him into one last battle. Yes, it’s that much of a cliché. But that doesn't matter (it's actually an incredible source of fun that keeps you smiling nearly all the way through), on top of that everything looks and sounds so good - Bryan Tyler creates a very nice soundtrack behind the heroic babbling and machine gun fire. "You'll be surfing soon, Simmons."
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A guilty pleasure with shooting, concrete, smoke, shooting, metal, explosions, more shooting ... and all of that over and over again. A spectacular “war of machines” in the destroyed dusty streets of L.A. Though it’s not elegant and lofty in Michael Bay’s fashion, Battle: Los Angeles is realistically gritty. The demented dialogue and hardcore pathos do not degrade the film, but give it a detached, fun dimension reminiscent of Starship Troopers. The question is whether that is intentional. Anyway, Jonathan Liebesman turns out to be a decent action director. And this is a movie I dreamed about when I was fourteen and had just watched Terminator 2 :-)
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A grandiose contribution to the giant weird films about capitalist realism, covered with a very sparse "docu-camera" veil and a dynamic war action ala Black Hawk Down. Except for the occasionally successful Scott / Bigelow thefts, Liebesman has completely failed - the film is absolutely dysfunctional, uninteresting, completely devoid of emotion and literally overflowing with hellish dialogues that stick repulsively in the chosen pseudo-authentic tone of storytelling (... the U.S. didn't sponsor the film. Marine Corps by chance?). Sometimes the visual (repulsive digital characters) creaks a lot, but it disappears in the cacophony of all the components. A movie with no balls, no rhyme, no reason, no magic. Perfect filling of the epic fail box. Did anyone even read the script before they approved the budget? P.S. For nitpickers... Capitalist realism is not my idea, but a commonly used term - it really works for propaganda films such as Independence Day or Battle Los Angeles (threats to democratic values by primitive destructive force from the unknown, military leaders or politicians who lead the collective unwaveringly to victory...) Ideology lives long and blissfully...
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It’s incredibly how Liebesman handled this project. With a relatively small budget, he created a monumental-looking (title, trailer, posters) and yet very modest sci-fi film, full of very impressive visual effects and absolutely thrilling action (shots and panoramic camera sweeps like Michael Bay). The protagonists may not be as cool as in other films, but that's not the main focus here. In essence, it's a mix of all possible films, and everyone takes exactly as much of their own portion as they want. It has pathos, emotions, action, excellent sound design, quotes, likeable actors, heroism – basically everything we expect from this kind of movie. It lacks a budget for an even bigger inferno, but the director knew exactly what he was doing. With a bigger budget, it wouldn't be this cute winking at the film world, but a proper mess. PS: The best aliens in terms of philosophy and execution still remain those from Independence Day.
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Photo © Columbia Pictures
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