Directed by:
Ted KotcheffCinematography:
Andrew LaszloComposer:
Jerry GoldsmithCast:
Sylvester Stallone, Richard Crenna, Brian Dennehy, Bill McKinney, Jack Starrett, Michael Talbott, Chris Mulkey, John McLiam, Alf Humphreys, David Caruso (more)VOD (1)
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Giving his toughest performance since Rocky, Sylvester Stallone stars as a larger-than-life super warrior in this gutsy action thriller filmed in the wilds of western Canada. He plays an ex-Green Beret, a peacetime misfit haunted by memories of Vietnam. Falling foul of an over-zealous small town sheriff, all hell is let loose as he goes on the run. In the life or death manhunt that ensues, he will need all his old skills to stay alive and outwit his pursuers the sheriff, his posse, and more than 200 National Guardsmen. (Universal Sony Pictures Home Entertainment)
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Reviews (12)
A great show throughout, except for the ending when Sly flexes his musculature, machine gun in hand, giving a hint of what's to come in the following episodes. Otherwise, Stallone is very believable, and in the moments when he wages his uneven guerrilla war hidden somewhere in the woods, it’s impossible not to root for him.
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Today's rewatch wasn't my first, of course, but I felt it was time to jot down my thoughts on the movie. Well, I have to admit that the film still resonates with me after all these years. It's got well-executed action, suspense, and that gloomy atmosphere. However, now that I'm not twelve anymore, I couldn't overlook what was, and I think still is, its main message. When a country sends its soldiers into a war conflict that ends in defeat, these soldiers become, in a way, unwanted upon their return, serving as a reminder of that loss. The United States essentially cast aside the Vietnamese veterans, and I'm not just talking about the politicians. Many of these guys were sent to a place they didn't want to be, to do things they didn't want to do, and upon their return (if they returned), they often believed that human life, including their own, had little value. Instead of help, they found everyone turning their backs on them. This movie highlighted that stark reality. / Lesson learned: When someone points "the pig" at you, it may not be as funny as it sounds.
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This is a kind of timid oscillation between action and psychological thriller, which can be watched with a certain amount of nostalgia - even though the action parts have become outdated and the psychology therein has never been a focal point. It’s a neat little monument to the 1980s that is still worthy of maintenance.
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Rambo is not about nostalgia! Even after more than 20 years, it's still an alarming reflection of the times and one that makes the absolute most of the Vietnam syndrome. Although Rambo is one of the model pillars of 1980s action movies, the film stands out for its surprisingly intelligent plot and believable action sequences that are a joy to watch. Stallone earns points for his acting and his minimalist facial expressions fit the role of a war-torn veteran. And when he laments the losses of the war at the end, the audience’s emotions are at full attention. "They drew first blood, not me!"
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Where the John Rambo sequels degenerated into crystalized totally uninventive B-movies where the fearless American hero takes out dozens, if not hundreds of enemies of the good American people, First Blood puts its money on low-key, inventive and raw presentation of his fight for survival. Where the sequels are ridiculous, part one is full of suspense. The biggest mistake of First Blood is that the writers eventually abandoned their idea for an ending where the central character died, thereby opening the way for unworthy sequels...
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