The Whale

Who would have expected such drama from the combination of A24 and Darren Aronofsky? Until a few months ago, probably no one. But the result is superior art that is more or less unparalleled in modern cinema. On the one hand, very sensitive, on the other hand, a depressing, gloomy, dark and almost artistically poetic drama and a devastating collision with reality that at times makes you feel physically sick. Brendan Fraser has always been a mediocre lead actor, but here it's purely his one man show and the role of a lifetime that will be remembered from this day forward and after which he will be referred to as "that actor from The Whale", because such an iconic role will go down in history and be celebrated for a long time to come. Character-wise polished, actor-wise perfect and director-wise masterful, in short, it's clear that everyone here has a perfect sense of scene and can create unexpectedly intense atmosphere and feelings of tension within an "ordinary" drama. I didn't believe that The Whale could be that good a film, but now I know that all the recent awards and titles it has won are simply rightful. (05/03/2023)

Aronofsky has disappeared from me for a long time and I stopped understanding him. Exaggerated metaphors or, on the contrary, semi-pathetic images did not suit me to the creator dreamy and uncompromisingly realistic. And now he has shown what he does best and combined it into one whole. How unpleasant scenes from everyday shattered life and the cycle of moments where dignity disappears - and into that dreams, fleeting moments of (presumed) happiness, sparks of hope where no one else would find them. Beauty, touching for its painfulness and watched with clenched teeth. (08/03/2024)

The Whale is a balanced mix of intimate psychology and touching sentiment. It is engaging primarily thanks to its main character, the likes of which cinema has not seen before, as he is shocking in his appearance and studying his inner self is enjoyable. Brendan Fraser is excellent with incredible make-up and is supported perfectly by Sadie Sink in the role of his daughter. Their encounters overflow with unspoken emotions and anger over the hurt on one side and regret on the other. Yes, Fraser’s character pities himself too much and his discovery of the importance of sincerity in life is laughable, but even so, The Whale remains a beautiful and sensitive film that doesn’t lack artistic investment by its creator. (04/03/2023)

An acting masterclass combined with a masterclass in unnecessary directorial manipulation. If Darren had reined in his desire to drag the viewer into a fit of transcendent emotion and had carried the film through to the end as an intimate story about a human mass of guilt and loneliness, it might have had the punch that he last achieved in The Wrestler. Unfortunately, however, this is how the redemption of a self-destructive man becomes more distant the more the director tries to make it poignant. Fraser, on the other hand, deserves maximum respect, as he account for all of the humor and humanism in this dubious dramatic cetacean. (30/12/2022)

If this were a raw last confession of a lost human soul without any pretensions and all sorts of gimmicks, it would be an absolute blast. The Whale shouldn't have been made by the master of allegories, Aronofsky, who combines uncompromising depression with religious motifs, art literature, and strange human creatures that might not be there at all – I was just waiting for parallel universes and other dimensions to appear. Two stars for the phenomenal Brendan Fraser and the moments when the film is exactly the coherent genre composition it should be for the entire runtime and not just a few fragments. (27/02/2023)