Directed by:
Peter WeirScreenplay:
Andrew NiccolCinematography:
Peter BiziouComposer:
Burkhard von DallwitzCast:
Jim Carrey, Laura Linney, Noah Emmerich, Natascha McElhone, Holland Taylor, Brian Delate, Blair Slater, Peter Krause, Heidi Schanz, Mal Jones, Judson Vaughn (more)VOD (3)
Plots(1)
Truman Burbank (Jim Carrey) has a seemingly idyllic lifestyle: a secure job, a loving family and a peaceful home. Yet, unbeknownst to him, his entire existence has been one long TV series, the people around him Hollywood actors, the town a massive studio set, and the whole show orchestrated by a visionary director (Ed Harris). As the truth begins to dawn on Truman, he resolves to break free, no matter the consequences for the programme's ratings. (Paramount Pictures AU)
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Reviews (11)
Making a movie about a reality show that follows somebody’s life from the moment of his birth is an idea worth a million. And with somebody of Weir’s caliber in the director’s chair, it’s worth two. It succeeds in sucking you into the life of Truman Burbank which is suddenly crossed by another storyline (the subject of which is obvious, but it’s till a spoiler) after about two hours of the movie. It’s funny, but at the same time chilling how everybody apart from Carrey performs like straight out of a telenovela, casually interjecting advertising slogans and so on. This is a really emotionally charged movie. And it has a wonderful soundtrack from Glass and the movie becomes ever more powerful every time you watch it again. Who wouldn’t root for Truman in his quest for freedom? So I say to you, Truman, if we never see each other again: “Good afternoon, good evening and good night!" ()
In its day, The Truman Show was one of the fascinating great cinematic experiences that transcended media. At the time, we read articles in magazines and were unfamiliar with the reality show format, yet we knew Jim Carrey had crossed another milestone. That feeling has remained, and even after becoming familiar with the format, The Truman Show must simply be admired. ()
Spoiler... A film whose main theme is our own perspective. Limiting it to the phenomenon of a reality show and tabloids is superficial. Niccol's script focuses much more on how we construct ourselves as subjects, how we build our own perception of reality, our own identity. Peter Weir subtly captures this finesse, plays with the viewer, and is consistently ironic. The ending forced me to make a triumphant gesture - if anyone considers it a happy ending, he has clearly been the victim of his own The Truman Show. This is reality as we know it and accept it... The point of the film is not that Truman finds his exit, but that our exit is still far-off. "We accept the reality of the world with which we are presented. It's as simple as that." The entire Truman Show is built on this principle reflected in its form (consistently within limits of possibilities). ()
It’s been long since a film thrilled me this much. Funny, poignant, original; perfect, really. The premise exploits the contrast between utopia (Truman’s artificial but safe and carefree life) and anti-utopia (the TV mogul controlling human lives from an almost god-like position while people watch it without complaints). Although both have a common basis: the absence of the right to be freely happy or unhappy, they have two very different causes: Truman is denied this right from above, while the viewers don’t give a toss about it, for them it’s enough that Truman is enjoying this right, even though he doesn’t actually have it, which puts us in a vicious circle where nobody is free, but nobody cares. How much this situation reminds us of our world, that’s up to each one of you. The Truman Show offers a lot of food for thought in an entertaining package, and I love it. 100% ()
A wonderfully conceived and cleverly crafted story, thanks to the advertisements during the broadcast, the weather changes, and the shining sun, excellently directed by Peter Weir and perfectly acted by Jim Carrey. The guy whom I have always admired for his countless facial expressions delivers a stellar performance in a poignant drama wrapped in a sharp satire. A must-watch for all paranoids. ()
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Photo © 1998 Paramount Pictures
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