The Matrix

An excellent film that combines well shot action scenes with an interesting and original story, full of symbols. I got carried away by the action moments (although admittedly I found some of the kung-fu gestures ridiculous) and at the same time I didn't miss the emotions and some of the dialogue scenes were excellent (the scene with the bucket is not to be missed). On my way out of the cinema, I looked around feeling paranoid for a while. I hope that the next episodes will not only be a display of visual effects, but will also have something more, just like this one. (13/04/2003)

The Matrix, a place where everyone wears sunglasses even in the darkest underground, a place where a group of mixed-race people of all shades, including a mulleted woman, jump ten metres high, and a place where hip flexibility knows no bounds. Episode 1: Absolutely fabulous, now a cult-classic, a great introduction to the universe and plenty of goosebumps. Episode 2: The first hour lags behind considerably, but then it's a 90-minute action ride that knows no end, the fight choreography is noticeably better, even excellent and euphoric in places! Along with the music, an absolutely unparalleled experience that at the time would have had me on my ass. The CGI is sometimes good, sometimes utterly awful (see the battle with Smith on the playground), but either way the action pulls the whole first two episodes up and choreography this long is something unheard of, I have no idea how anyone could learn and perform this. Episode 3: Boring, horrible and awful. This one went completely over my head and is so different from the previous two. Hours of empty dialogue are followed by a battle with digital machines instead of classic matrix action, and I search in vain for any hints in the final episode that connect it to the previous ones. The beginning is dull, the progression uninspiring and the conclusion unsatisfying. (14/10/2021)

Of all the science fiction films that revel in imaginary worlds, in bending the laws of nature and physics, and in visually loaded, perfectly scored, and all-out action, The Matrix is the most imaginative, the most visually loaded, and the most auditorily bombastic. A visionary work where every detail is absolutely in place and brought to a timeless, seemingly unearthly perfection. 100% (18/04/2011)

I’m finally done with the entire trilogy. The first part is the most straightforward and intimate and the one works as a standalone film, but also as the beginning of a saga. A great idea, brilliantly executed and deeply philosophical (I would love to read the philosophy behind the Matrix universe, it could be very interesting. It addresses almost everything, from noetic questions about the possibilities and ways of human cognition, through the creation of one's own ontological system, to the problems of causality and the question of choice). In any case, the first Matrix is a groundbreaking and hugely important film and I could even be more in love with it if I had a fetish for the nice clothes the characters wear. (22/08/2010)

I kept The Matrix in the cool of my closet for a really long time (a decade, actually) and on the one hand it's good that I waited, because I might not have even understood it at the time, but on the other hand I was depriving myself of a perfect piece of filmmaking in terms of script and execution that is undoubtedly worth watching. I enjoyed all the visual and sound effects immensely, as well as the Matrix problem itself, which definitely had something going for it. Of the cast, I liked the badass Carrie-Anne Moss and the extra sleazy Hugo Weaving the most. In short, a film that didn't knock me off my feet like other films, but as far as quality goes, it has it in every way. (27/07/2011)