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Set in the 22nd century, The Matrix tells the story of a computer hacker (Keanu Reeves) who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth. In addition to amazing effects, the stellar cast, including Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving and Joe Pantoliano, helped make The Matrix a modern sci-fi classic. (Roadshow Entertainment)

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lamps 

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English Of all the science fiction films that revel in imaginary worlds, in bending the laws of nature and physics, and in visually loaded, perfectly scored, and all-out action, The Matrix is the most imaginative, the most visually loaded, and the most auditorily bombastic. A visionary work where every detail is absolutely in place and brought to a timeless, seemingly unearthly perfection. 100% ()

TheEvilTwin 

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English The Matrix, a place where everyone wears sunglasses even in the darkest underground, a place where a group of mixed-race people of all shades, including a mulleted woman, jump ten metres high, and a place where hip flexibility knows no bounds. Episode 1: Absolutely fabulous, now a cult-classic, a great introduction to the universe and plenty of goosebumps. Episode 2: The first hour lags behind considerably, but then it's a 90-minute action ride that knows no end, the fight choreography is noticeably better, even excellent and euphoric in places! Along with the music, an absolutely unparalleled experience that at the time would have had me on my ass. The CGI is sometimes good, sometimes utterly awful (see the battle with Smith on the playground), but either way the action pulls the whole first two episodes up and choreography this long is something unheard of, I have no idea how anyone could learn and perform this. Episode 3: Boring, horrible and awful. This one went completely over my head and is so different from the previous two. Hours of empty dialogue are followed by a battle with digital machines instead of classic matrix action, and I search in vain for any hints in the final episode that connect it to the previous ones. The beginning is dull, the progression uninspiring and the conclusion unsatisfying. ()

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Marigold 

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English In my opinion, this film has started something... Its impressive visual rendering and stylistic polishing are still copied by many action films today, and (unfortunately) few take the time to invent an elaborate plot that would have a fairly solid philosophical footing (I don't mean the spawn that the flock of furious interpreters of every little thing have created around the film). The Matrix worked as an action film (the fights are simply a treat!), as science fiction and as a film with a deeper idea. It's certainly not cyberpunk, as many unlearned people claim, and it's certainly nothing original – most of The Matrix's "source" files are not commonly known to our culture, although all you have to do is go through the relevant sections of Japanese cinema. The Matrix is one of the first messengers of the "new hi-tech" film with everything that it encompasses, the messenger of a new futuristic conception of the action element in the story. At the same time, I won't be far from the truth when I say that it will always be a cult film – just as it's hard to take it out of the family of classic sci-fi films. ()

Stanislaus 

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English I kept The Matrix in the cool of my closet for a really long time (a decade, actually) and on the one hand it's good that I waited, because I might not have even understood it at the time, but on the other hand I was depriving myself of a perfect piece of filmmaking in terms of script and execution that is undoubtedly worth watching. I enjoyed all the visual and sound effects immensely, as well as the Matrix problem itself, which definitely had something going for it. Of the cast, I liked the badass Carrie-Anne Moss and the extra sleazy Hugo Weaving the most. In short, a film that didn't knock me off my feet like other films, but as far as quality goes, it has it in every way. ()

J*A*S*M 

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English I’m finally done with the entire trilogy. The first part is the most straightforward and intimate and the one works as a standalone film, but also as the beginning of a saga. A great idea, brilliantly executed and deeply philosophical (I would love to read the philosophy behind the Matrix universe, it could be very interesting. It addresses almost everything, from noetic questions about the possibilities and ways of human cognition, through the creation of one's own ontological system, to the problems of causality and the question of choice). In any case, the first Matrix is a groundbreaking and hugely important film and I could even be more in love with it if I had a fetish for the nice clothes the characters wear. ()

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