The Matrix

A masterpiece that indirectly established a new wave of action movies for the new millennium. Since 1999, countless directors have tried to copy the action from The Matrix, some were more successful, others less so. But I dare say that no one has been able to replicate the magic of this film. The action itself is excellent (perhaps occasionally overly effects-driven for my taste) and I truly enjoy certain parts of it. The excellent music, the cool costumes, and the overall style of the film suit me quite well. Keanu Reeves and Laurence Fishburne overflow with charisma, and the Wachowski siblings' inventiveness is miles ahead. I wouldn't dare to say which part of the trilogy is the best, but the first one is undoubtedly the best-written and most original – and not just because it was the first... (04/03/2006)

In my opinion, this film has started something... Its impressive visual rendering and stylistic polishing are still copied by many action films today, and (unfortunately) few take the time to invent an elaborate plot that would have a fairly solid philosophical footing (I don't mean the spawn that the flock of furious interpreters of every little thing have created around the film). The Matrix worked as an action film (the fights are simply a treat!), as science fiction and as a film with a deeper idea. It's certainly not cyberpunk, as many unlearned people claim, and it's certainly nothing original – most of The Matrix's "source" files are not commonly known to our culture, although all you have to do is go through the relevant sections of Japanese cinema. The Matrix is one of the first messengers of the "new hi-tech" film with everything that it encompasses, the messenger of a new futuristic conception of the action element in the story. At the same time, I won't be far from the truth when I say that it will always be a cult film – just as it's hard to take it out of the family of classic sci-fi films. (05/02/2004)

I’m finally done with the entire trilogy. The first part is the most straightforward and intimate and the one works as a standalone film, but also as the beginning of a saga. A great idea, brilliantly executed and deeply philosophical (I would love to read the philosophy behind the Matrix universe, it could be very interesting. It addresses almost everything, from noetic questions about the possibilities and ways of human cognition, through the creation of one's own ontological system, to the problems of causality and the question of choice). In any case, the first Matrix is a groundbreaking and hugely important film and I could even be more in love with it if I had a fetish for the nice clothes the characters wear. (22/08/2010)

I remember that during the premiere of The Matrix, a friend came with his eyes wide open and declared that he had seen the best film of his life. In the late 90s, The Matrix brought about a revival of the dying sci-fi genre, not so much in terms of content, but rather visually, in editing, and overall style that appealed to the young generation influenced by the phenomenon of computers and video games. It brought dynamism, action, and cyberpunk elements to the genre, which had long dominated the literary field of sci-fi. I would not classify The Matrix as a cyberpunk film, as it lacks the sophistication and depth of thought, which it replaces with flashy shootouts and martial arts fights, as well as bombastic special effects. However, I agree with the idea that it is a groundbreaking and style-defining film that has greatly influenced the genre, brought in many new fans, and led to many imitators. Unfortunately, the next two sequels did not confirm the creative ambitions, as they had a lazy script and terrible dialogues, and damaged the promisingly constructed alternative world. For me, The Matrix is a film that visually impressed me at first glance, but even then, I disliked the shallow elements of cheap action movies, and its image has faded over the years. Nevertheless, I will still give it a weak four-star rating. However, I must say that I would prefer if the Wachowskis took a less easy path and made a film based on a purely cyberpunk and biotechnological style, combining the views of H. R. Giger and William Gibson. There are a few scenes like that in the film, such as Neo's awakening in the power plant cell, but unfortunately, there are too few of them compared to the video game shootouts. Overall impression: 70%. (14/07/2011)

The Matrix, a place where everyone wears sunglasses even in the darkest underground, a place where a group of mixed-race people of all shades, including a mulleted woman, jump ten metres high, and a place where hip flexibility knows no bounds. Episode 1: Absolutely fabulous, now a cult-classic, a great introduction to the universe and plenty of goosebumps. Episode 2: The first hour lags behind considerably, but then it's a 90-minute action ride that knows no end, the fight choreography is noticeably better, even excellent and euphoric in places! Along with the music, an absolutely unparalleled experience that at the time would have had me on my ass. The CGI is sometimes good, sometimes utterly awful (see the battle with Smith on the playground), but either way the action pulls the whole first two episodes up and choreography this long is something unheard of, I have no idea how anyone could learn and perform this. Episode 3: Boring, horrible and awful. This one went completely over my head and is so different from the previous two. Hours of empty dialogue are followed by a battle with digital machines instead of classic matrix action, and I search in vain for any hints in the final episode that connect it to the previous ones. The beginning is dull, the progression uninspiring and the conclusion unsatisfying. (13/10/2021)