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The transformation has left Neo drained of his power, adrift in a no man’s land between the Matrix and the Machine World. While Trinity holds vigil over Neo’s comatose body, Morpheus grapples with the revelation that the One in which he has invested a life’s worth of faith is merely another system of control invented by the architects of the Matrix. During the stunning conclusion, the rebel’s long quest for freedom culminates in an explosive battle. As the Machine Army wages devastation on Zion, its citizens mount an aggressive defense – but can they stave off the relentless swarm of Sentinels long enough for Neo to harness the full extent of his powers and end the war? (Roadshow Entertainment)

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POMO 

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English Matrix Revolutions has a more tangible and meaningful plot, less pseudo-philosophising and less gratuitous action for effect than in The Matrix Reloaded. I’m satisfied with that. You’ll find yourself yawning through the first hour, but the subsequent “war of the machines” is amazing. If there were more emotion in the final digital fight between Neo and Smith, Revolutions would have been a class better than Reloaded. The film’s ending has an appropriate amount of the pseudo-depth that the whole saga has been faking. Those who thought that there was something big behind everything will be disappointed. Unavoidably disappointed. Three and a half stars. ()

J*A*S*M 

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English Rating the entire trilogy. Like in Reloaded, there are moments that really pissed me off, but as a whole it’s amazing, and the climax, when white is reunited with black, can’t be described other than superb, unexpected (though actually inevitable) and incredibly deep… PS: In the great order of things, the Battle of Sion is just eye candy, but that doesn’t alter the fact that it made my jaw drop. ()

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Marigold 

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English Cut Reloaded and glue it together with the best of Revolutions and behold: that would be a film! Yet, after an unbalanced and melted intermediate link, Revolutions is a brisk spectacle that benefits from the chatter of Reloaded (there's no need to think about anything deeply anymore) and the visual mastery that The Matrix is famous for. It’s nice to look at, and the ending is really riveting, as is the message of the whole story. Plus it has a great soundtrack. I love this trilogy because it is not only "one", "two", etc., but is really a conceptual work that, as a whole, creates a huge potential universe that can be further populated. In addition, it allows you to engage your brain and create your own intertextual "matrix" with classics of world philosophy and literature. It may lead to exaggerated constructs, but thank God the "mass" story places such high demands on the viewer at all... ()

Kaka 

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English There are fewer stupid dialogues and more proper adrenaline action with a drive that will plaster the viewer to their seats. The Battle for Zion is brilliantly shot, the greenish camera filters and the typical visual style of the Wachowskis are not missing. Don Davis does a flawless job and composes his best musical score. It is difficult to compare Revolutions any deeper with the previous parts, which only served as a support for the final installment. The biggest, the most monstrous and the most ambitious of the entire trilogy. A grand finale as it should be. ()

kaylin 

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English As I mentioned with The Matrix Reloaded, these two films should be evaluated together because they work best as a pair. Yes, at times it's overly commercial, and on the other hand, it's sometimes overly philosophical without the philosophy saying much of anything. One ends up going in circles without anything substantial to grasp onto. But when it comes to the final scene, where Neo is supposed to reach the mainframe and either win or lose, it always grips my heart and gives me chills. Certainly, it didn't fulfill the promise of the first film, but I can't help feeling that, with some distance, I'm not actually that disappointed with it. ()

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