Directed by:
Lars von TrierScreenplay:
Lars von TrierCinematography:
Robby MüllerCast:
Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Jean-Marc Barr, Adrian Rawlins, Jonathan Hackett, Sandra Voe, Udo Kier, Mikkel Gaup, Roef Ragas, Phil McCall (more)Plots(1)
A naive woman living in a remote Calvinist community on the Scottish coast, Bess (Emily Watson in an Academy Award® nominated performance) flaunts the will of the town's austere churchmen to marry Jan (Stellan Skarsgård) a lusty Swede working in a nearby offshore oil rig. Her purity is put to the ultimate test when Jan is crippled in an accident and she agrees to continue their love-making vicariously through other men. Pilloried as a harlot, Bess is committed to the asylum but not before she seeks Jan's recovery through one final act of faith. Captured through Robby Mueller's raw, relentless hand-held camera, this triumphant tale of tragedy, faith and redemption - the first in Lars Von Trier's “Golden Heart” trilogy on saintly heroines book-ended by Dancer in the Dark - is a cinematic tour de force. (Umbrella Entertainment)
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Reviews (7)
For many years, I considered Breaking the Waves a film that you need to be more mature to understand, and as a super film that is not for everyone. I even allowed myself to see a mere theater production earlier, which handled the subject in its own way. But in the end, it's just a film for the discerning viewer, but far from being for the snob or hypocrite viewer. All proto-impressions aside, it's just a film, it won't hurt you - and of course, von Trier is only its author.
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Your typical Trier’s unpleasant cocktail of emotions. Breaking the Waves is such a relentless valley of tears that the viewer never has a chance to calm down; the misery only escalates. Emily Watson’s performance is breathtaking. And yet, I don’t think it’s enough for a full count, why? The answer is simple: because of Dogville, a film without a single weak moment that was a lot more crushing. This one is the light version of Lars’s best.
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I don't count Lars von Trier among my favorite creators, but it must be acknowledged that he knows how to tell powerful stories and how to evoke truly dark emotions from both actors and audiences. It seems to me that the film, despite what it's actually saying, has quite a few unnecessary minutes, but it's true that with another movie, I'd criticize the runtime more. An experience that you'll ponder over.
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A total, but I mean total emotional inferno. You just don't see anything more vicious than this (except with another Trier). How this freaks pulls this off with these actors I really don't understand. He must be putting something in their coffee. What Emily Watson in particular created is a character worthy of a horror movie. Of course, then the very end comes and I don't know what flew onto my monitor. Trier couldn't have been serious. I think he must have made a bet with someone -)
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Lars von Trier pushes the envelope again, but unlike Dancer in the Dark, there is a reason for it and it is not an end in itself. Breaking the Waves is a whirlwind of emotions that often sends chills down the spine. And Emily Watson’s performance is perfection itself.
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