Directed by:
Gus Van SantCinematography:
Jean-Yves EscoffierComposer:
Danny ElfmanCast:
Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård, Minnie Driver, Casey Affleck, Cole Hauser, Alison Folland, Vik Sahay, Scott William Winters (more)VOD (2)
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Like his friends in down-town, working-class South Boston, Will Hunting (Matt Damon) spends his days between menial jobs, street brawling and stints at the local bar. Yet, he can summon obscure historical references from his photographic memory and solve mathematical problems that have stumped Nobel Prize winning professors. But the one thing Will Hunting can not do is talk his way out of a pending jail term and only one man is capable of rescuing Will from complete self destruction. (Roadshow Entertainment)
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Reviews (10)
I wish I'd seen it sooner. A nice human interest story about real issues, values and the right questions, what today's Oscar wannabes try so hard to emulate, but can't. Matt Damon and Ben Affleck are great of course, but what the duo of Stellan Skarsgård and Robin Williams do is major league. Well deserved recognition, a great experience.
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A psychological/romance delicacy, which caught me off guard at the age of fourteen and I thought about it for a long time and identified with Will. Later, I abandoned the uncritical worship, but I will always admire the idea of two young guys who subscribed to a Hollywood career with their life's work. However, the best thing about this movie remains Robin Williams' tour de force.
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Americans love stories about talented outsiders who have managed to succeed, and the whole world loves touching stories that skillfully manipulate our emotions. Good Will Hunting fulfills both of these criteria and shows why Hollywood is called the dream factory. It has nothing to do with real life, but it is enjoyable to watch and is a nicely cast film with decent direction, and above all, a screenplay that fully meets the requirements for a box office hit. I won't give it five stars because it is too artificial, but I also can't go below 4 stars. Overall impression: 75%.
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Such clever boys. At an age when I was writing love ballads to my teenage sweethearts and gasping for breath with socialism, Damon and Affleck came up with a truly adult script that opens up a whole range of themes glossing over a somewhat extreme example of the actually inevitable step towards adulthood, however much that means freeing oneself from selfish freedoms at the expense of a certain uniformity and generally discernible motivations such as acknowledging one's place in society or making sacrifices on the altar of love. What they’ve bitten off, however, is quite a mouthful for the two burly guys, as there are actually four storylines in the film (Damon-Williams, Damon-Driver, Damon-Affleck, and Williams-Skarsgard), even if they’re all tied to a single denominator, but especially the one depicting the slacker resignation of the Boston suburbs (the bottom of which is so perfectly portrayed by Harmony Korine in a brief cameo – heh heh you gotta love this guy), it's all too obvious that the film needs it, especially at the beginning and the end. In between, it just has to keep it alive through more or less comic scenes. Where I would have given Oscar nods like crazy would have been in the case of Minnie Driver, that girl is unreal, she defies the usual femme fatale stereotypes, clearly her character has a life outside her scenes and her relationship with Damon gets the strongest sequences, among them the excellent bed dialogue, shot only in close-ups with subdued lights, where the camera work and editing make spatial orientation impossible, reminding you of those stormy weekends when it's raining outside and you don't even know what time it is.
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Who wouldn't like this already legendary, beautifully worn-out industrial 90's art piece full of wholesome intellectual depth, enjoyable philosophy, and quality psychological analysis of smart people? The boys grew up and played with the script very skillfully. Although there is a bit of unnecessary brevity (which makes the final catharsis harder to digest) and sometimes emotions are missing, it is still a great thing for the young hope of Hollywood at the time, and it is impossible not to love the "independent movie makers feeling". Nowadays, it's not as cool as it used to be, but in terms of content and message, it has practically not aged at all.
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