Directed by:
Alex ProyasCinematography:
Simon DugganComposer:
Marco BeltramiCast:
Will Smith, Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, Shia LaBeouf, Alan Tudyk, Aaron Douglas, Simon Baker, Tiffany Lyndall-Knight (more)VOD (3)
Plots(1)
It's 2035 A.D., where robots are everyday objects and are programmed to live alongside humans. Detective Del Spooner (Will Smith) is called out to investigate the apparent suicide of the scientist behind these robots, Dr. Alfred Lanning. Spooner suspects that the death might not be a suicide, but the result of one of the robots. All robots are programmed by three laws, but Spooner starts to wonder if a robot can in fact feel emotions, and possibly murder. But if Spooner's suspicions are true, he is going to have a hard time convincing everyone. (20th Century Fox AU)
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Reviews (8)
At first, I took a long time to get used to the unusual format, but the second viewing confirmed that this was a visually refined spectacle and a thought-provoking story. Alex Proyas rocks again, Will Smith is in top form like never before, and Sonny is the best partner I can imagine. Over the years, I, Robot has also become almost a classic because there are not many action movies combined with a clever thriller side.
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I, Robot is a spectacular, technically flawless action flick for mainstream popcorn fans, but even more discerning viewers will enjoy it. But any talk of highly intelligent entertainment in the mold of Minority Report is out of line. The film’s screenplay is simple and unsophisticated, with banal dialogue and a sizable portion of clichés. The screenplay is brought up to the level of high-quality entertainment only by director Alex Proyas, thanks to whom the result is dynamic enough not to be boring, and paranoid and disturbing enough to be enthralling.
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An effective and self-aware hit with a light philosophical undertone. In other words, one of the few smart, eye-candy popcorn movies of the new millennium. That has to be appreciated, whether the topic is your cup of tea or not. Still, it is a class lower than Minority Report.
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A very solid film with flawless special effects that I believe will not become a sci-fi classic like, for instance, Blade Runner. It lacks a deeper dimension of thought for that, its ambition is only to entertain, nothing more. Which, of course, is no small feat, and it delivers without problem. The futuristic vision was very impressive, some of it really amused me, because the horizon of 30 years is not that far away, the creators really let their imagination run wild in places. Will Smith with his swagger is an advert for testosterone, some of the action sequences were outstanding (especially Smith's duel with the robots in the tunnel) and the whole thing ran like a Swiss watch without a hitch. Cool.
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I saw the film as a hot new release in the movie theater in 2004 and was absolutely thrilled by it. As a sci-fi lover, I must always stand by the fact that the film has a concept, and by using Asimov's laws, it highlights the classic problem associated with robots. How far can we go with AI before it turns on us? The ending is a bit rough, but otherwise, it's an excellent action ride with a good detective plot, and considering the film is already 10 years old, it has great special effects sequences.
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