The Marvels

The Marvels relies on an all-female (super)heroic cast, but this can have its pitfalls. I'll start by saying that I was expecting a more feminist-tinged charge, but The Marvels keeps a pretty low profile in this regard. What couldn't be overlooked, however, was the very blatant targeting of the girl audience in places: we haven't had this many girls (and babes, for which I give a thumbs up though). The BFF-line was too forced, and the post-credit scene only sealed this "blatant targeting". But whatever! Fortunately, The Marvels has an optimal running time and offers clear and brisk action, but it also has a reprehensibly bland villain and a couple of WTF-moments (the Bollywood-tinged visit to Aladna was, ahem, weird). All in all, marginally better than Ant-Man 3. (12/11/2023)

I am terribly sorry that genre viewer fatigue, fandom toxicity (who says there isn't any here, let them browse any discussion forum), and unfortunate timing collided here of all places. Of course, I can respect the fact that many people get lost in the universe and that this is the intersection that demonstrates most clearly that escaping from such a labyrinth is not easy. It's not just about connecting two film series; here you have to immediately check out multiple TV series, where Ms. Marvel and WandaVision are an absolute must if the experience is going to make any sense. Also refresh your memory/rewatch Captain Marvel and Avengers: Endgame, arrange an approximate timeline, remember all the features that this shuffled universe includes, will include, or could include. It's an endless task; and just because I enjoy it, it doesn't mean everyone else does too, and honestly, going to the cinema to unwind yet not being able to relax completely is a completely understandable objection. Unfortunately, I feel that the audience here has refused even to meet the film halfway, and of course that will inevitably harm the result. And when they're down, why not kick them again. Marvels shines with unparalleled light for me. I don't know exactly how they did it, because the script is a bit messy in terms of genre, connecting the main Marvels with Monica could have ended up as a forced digression, but just the opposite. The power of friendship, that ordinary driving force of many adventure blockbusters, is in first place here, with a classic smaller team in second, and fighting an understandable villain in strange new worlds in third. It recalls classic adventure movies, where there is humor, likable actors, beautiful actresses, and super heroes the viewer wants to see over and over again. All of that is here, on a silver platter. Don't let this feast disgust you, one day we will miss it. (22/12/2023)

On paper, it meets the quota. A girly Marvel movie with an unlikeable and downright repulsive villain packed with visual effects. There's no shortage of environmental overtones, even saving the sun at the end. The script connects series characters, but simply to somehow link them to what's happening on the silver screen. The biggest WTF is the Planet of the Songs, which is probably the thing my four-year-old daughter will like best. The secret invasion doesn't make sense after that (I guess it took place in another reality), and the cats save the day. Somehow. Pretty pointless episode defying physics, logic, but it goes by pretty quickly. Zawe Ashton is disgusting. Brie Larson is awfully nice, especially in a sports bra. Too bad she's not getting better scripts. (08/11/2023)

A below-average and obviously mismanaged Marvel film, which impresses with unexpectedly decent action scenes and some chemistry between the central trio. Apart from that, it can only offer a not very interesting story, boring visuals and really very poor attempts to work with the characters and their psychology. And some really really idiotic ideas. It's not a complete blunder like, say, the latest Thor, but it's not a good movie either. (09/11/2023)

Better than Quantumania and I do believe Nia DaCosta is a talented director. The problem is that she said she wanted to make a film that her young daughter would enjoy watching. And that's it. The target audience for this mess is somewhere between the ages of five and early adolescence, and the rest of us are probably going to have a hard time digesting this over-the-top girl-power manifesto, and with a female villain who is the biggest casting blunder in the entire Marvel franchise. Yes, it's got one funny idea (the scene to the music of A.L. Webber), but watching the rest of it is only entertaining in its reassurance of how Marvel is in a downhill and doesn't know which way to go. (18/01/2024)