Directed by:
Chris McKayScreenplay:
Zach DeanCinematography:
Larry FongComposer:
Lorne BalfeCast:
Chris Pratt, Yvonne Strahovski, J.K. Simmons, Betty Gilpin, Sam Richardson, Edwin Hodge, Jasmine Mathews, Ryan Kiera Armstrong, Keith Powers (more)VOD (2)
Plots(1)
Time travelers arrive from 2051 to deliver an urgent message: 30 years in the future mankind is losing a war against a deadly alien species. The only hope for survival is for soldiers and civilians to be transported to the future and join the fight. Determined to save the world for his daughter, Dan Forester teams up with a brilliant scientist and his estranged father to rewrite the planet’s fate. (Prime Video)
(more)Videos (2)
Reviews (11)
The Tomorrow War tries to bring a flashy science fiction story with gritty action scenes, strong family drama and a heavy dose of explanatory scenes to the television screen, however, it does none of it consistently, originally or memorably. The next day, after watching it, the only thing that sticks in your mind is that it was fairly paced and sort of OK, if you can get past the rushedness and the many really stupid tropes. All in all, it is just a rehash of many things you have already seen in other movies where they were much more skillfully executed, (especially the recent Edge of Tomorrow, whose finale is blatantly copied in this movie), and is unfortunately just a superficial, big-budget TV movie.
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Pure-blooded military sci-fi for dads and their daughters. An interesting story structure, where things don’t follow one after the other and the biggest punch up doesn’t come at the end; it works well and you don’t get bored. McKay successfully surfs on the waves of humor and pathos, but manages to shoot serious scenes too. Surprisingly the biggest strength of The Tomorrow War lies in the emotional sphere. The action is excellent, only at places it seems rather video-game like, but it’s mainly the small scenes which go against the pulse of today… about the traditional family values and about the fact that wanting more is bad for a relationship and can kill you… these scenes carry the whole thing along nicely.
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A strange film indeed. Its better parts felt like a thrilling video game I wished I could control. However, this lack of control took away from the overall impression. The weaker moments felt purely American, with a handful of individuals saving the world in typical fashion, the team composition changing based on current trends. In these weaker moments (well, more than moments...), there was an excess of melodrama and flying over Russia on board a Hercules aircraft. The 90s have long passed, yet here we are, with Americans still saving the world just like they did back then. It's getting a bit repetitive. However, I did appreciate seeing Yvonne Strahovski and Betty Gilpin again, which added a certain spark to the experience.
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The Tomorrow War is pure guyish pleasure, an enthusiastic B-movie packed with everything that we love about the action sci-fi genre. Human characters with sincere, emotionally charged relationships, unpredictable and richly escalating plot development, set in an attractive fantasy world, with delicately brisk action and well-made repulsive aliens. Cleverly written and directed with heart, cunningly hiding its art behind a false mask of cheap trashiness, this is the best Emmerich movie without Emmerich.
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In the first minutes, it looks like an original hybrid of Edge of Tomorrow, Independence Day and some post-apocalypse flick, but in the final reckoning, it's at most an upgraded Battle Los Angeles, and even that I'd rank higher due to the important factor of "great value for money", which definitely doesn't apply to Amazon's creation. That said, the visual effects sequences are fantastic, likewise with the design of the aliens. This being the main reason to watch Tomorrow War, because the script is a patchwork full of illogical moments and clichés, and the casting is also not good. Star Lord shouldn't get too involved in serious roles, because he’s fine when he’s wisecracking, but when the tone gets more serious, he is not so good.
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