Doctor Strange in the Multiverse of Madness

With great power comes great responsibility and with almost unlimited power comes ... MADNESS! The new Doctor Strange could have been made in pretty much any way given the storylines in the recent MCU films and the central character's abilities, and I was curious to see how Sam Raimi, creator of Spider-Man as well as cult horror films, would handle it. The film is not lacking in some decent scares, imaginative scenes (a "musical fight" like in Scott Pilgrim) and creepy characters, yet Raimi could have easily pushed the envelope further, as some of the characters were dispatched out of frame in a grimly manner. The multiverse also certainly had more potential, on the other hand, the film fortunately didn't become an outright mess. The newcomer America was more rather bland, but I enjoyed more than one cameo, which the film was brimming with. The first end-credit scene brought another Oscar-winning actress into the MCU, though I wonder if it wasn’t a "one-off". It's not a pure four stars, but I was entertained in the cinema for the full two hours, and that's what counts. (08/05/2022)

I found myself in a multiverse of madness as I watched Sam Raimi struggle to project his distinctive style, directorial and cinematographic flourishes, and slightly horrific and morbid touch on the big screen. At that point, it all disappeared into the abyss of screenwriting cluelessness and a largely meaningless and uninteresting story. Once again, Marvel is just playing it safe, with nothing to surprise the viewer. It has its tried-and-tested gimmicks in the form of a dozen useless cameo roles that deadlock the plot just to tease further spin-offs, which are already a total slap in the face. Plus, this year's Everything Everywhere All at Once definitely kicked this overpriced corporate product's ass when it comes to playing with multiverse. Sam, I hope you cashed a decent check for this, and now please go and make a low-budget horror movie that makes you and the audience happy. Please. (03/06/2022)

Of all the Marvel superheroes, Doctor Strange has the most potential for visually wild and appealing films. Filmmakers can get awfully crazy, and especially now that Strange is supposed to travel to other worlds and universes and where everything was once again based on magic, so the boundaries of normalcy were pushed a lot further than, say, in Black Widow. In that respect, there's nothing to fault in the Multiverse of Madness. Sam Raimi enjoyed his return to blockbusters and, unexpectedly, Kevin Feige allowed him to be his typical self. There are a few horror and scary moments, references to the visual style of the first Spider-Man and even Evil Dead, and it's nice to watch. The trouble is that there's not much interesting stuff going on. The story this time around is fairly banal, the characters uninteresting, and the whole time I felt like there was a missing minute here or there where it could slow down and go a bit more in-depth. I didn't get the sense that the universe was at stake or that Strange himself had to undergo some major transformation. It's simply a nice attraction, but it wraps up a not very interesting plot. It should have been better. (04/05/2022)

A blatant attempt to wring out the last vestiges of a graspable comic book universe of famous heroes. Doctor Strange is not a bad character and has a lot to offer, but once the creators embark on yet another scripted whirlwind full of parallel universes, magical books and runes, time jumping, etc., it's more than likely to be just another generic comic book action flick full of colours and digital effects. Sam Raimi's arrival will be appreciated by horror fans, as the second Strange has a lot to offer in this aspect and some moments are quite solidly dark. As a whole, however, the second film does not surpass the compactness and interestingness of the first. (24/12/2022)

I'd say the new Doctor Strange film is extremely big-headed, in every way. Ever since the announcement, they've been trying to promote how groundbreaking it will be by making it the first "Marvel horror movie", but holy crap, I have no idea why they would even want to say that. Overall, I have mixed feelings because the bad wasn't outright bad, but the negatives probably outweigh the positives, and I simply can't be fully satisfied. A lot of things don't make sense, and they break the rules as they see fit (one minute the main villain has a problem with several apprentices, and then the next minute she's crushing the most powerful five heroes // nonsensical use of abilities // in one scene she's flying and in another she's limping slowly, but she just won't use flying - and these are just a few of the many glaring things). There's no time for dialogue, and no time for emotion, so there's a rushed jumping from scene to scene with only terse sentences that just come across as awful, and in a field of only two hours, the film is just insanely rushed and would have been better suited to a slower series. Motivations and character development are leaps and bounds transformations that don't feel consistent and the multiverse itself is also without rules, allowing the filmmakers to do and make up whatever they want, from all sorts of new variations on old characters to bizarre worlds to comically laugh-inducing scenes in the cinema. In the end, it's just a terribly weird-looking affair that still has its quality, but when I ask myself "Where have we come since The Avengers?", I find that I've grown very uncomfortable with the MCU's development, and it looks like it's heading into a very big mess that's going to be very hard to climb out of. (07/05/2022)