Doctor Strange in the Multiverse of Madness

Of all the Marvel superheroes, Doctor Strange has the most potential for visually wild and appealing films. Filmmakers can get awfully crazy, and especially now that Strange is supposed to travel to other worlds and universes and where everything was once again based on magic, so the boundaries of normalcy were pushed a lot further than, say, in Black Widow. In that respect, there's nothing to fault in the Multiverse of Madness. Sam Raimi enjoyed his return to blockbusters and, unexpectedly, Kevin Feige allowed him to be his typical self. There are a few horror and scary moments, references to the visual style of the first Spider-Man and even Evil Dead, and it's nice to watch. The trouble is that there's not much interesting stuff going on. The story this time around is fairly banal, the characters uninteresting, and the whole time I felt like there was a missing minute here or there where it could slow down and go a bit more in-depth. I didn't get the sense that the universe was at stake or that Strange himself had to undergo some major transformation. It's simply a nice attraction, but it wraps up a not very interesting plot. It should have been better. (04/05/2022)

A playful, but rather oversimplified sequel to the story about an arrogant surgeon who turned his hand to magic takes us to other worlds, but also into his subversive inner self. During the opening of the movie, Raimi came up with a surprise parallel on the west Russian conflict, and also with an ending involving a demonic resurrection and all-in-all inconsistent storytelling. The second Strange would have benefitted from about a half hour extra to give Raimi the chance to give the multiverse a good long cuddle and also give the sub-stories the chance to take off a bit. I don’t believe that Waldron’s screenplay was to blame; this is more like studio intervention to bring the running time down to a more sensible length. The guest appearances are fine as a whole, but I’m not at all thrilled about one choice by casting department, so that means minus one point. The horror make-up is awesome (eyeballs dropping out of sockets!), but rotting cadavers, impressive deaths and pieces of body dropping off indicate that Disney is willing to turn a blind eye occasionally and please orthodox fans with a bit of gore. But will it be enough? Are you happy? (04/05/2022)

It’s quite... Well... Ordinary. The plot is fine, although if I had seen WandaVision I would have found my way to it faster and wouldn't have had to wait for the film to explain what it was all about. But that doesn't hide the biggest problem. Most of the new Doctor Strange felt “meh”. The new young character wasn't properly introduced, she was just there and everything started to revolve around her. Strange and Wong have abilities more like Green Lanterns than the mystics from the first movie, that semi-camp atmosphere that Sam Raimi had in his Spiderman movies doesn't suit Strange either in my opinion, every now and then something happens just because someone thought it was a good idea to make it happen, but it doesn't make much sense... And the horror, which sometimes really reigns supreme, is again – unfortunately – balanced by not very good jokes. And then there's the multiverse, which I had so many hopes for, but which is hardly used at all! The characters can theoretically jump from one world to another, but they spend most of the film in two, and the one in which the expected cameos take place (which are also no big deal) is quite boring and differs mainly because it switches to red. For example, Avengers: Endgame used time travel a hundred times more imaginatively. It’s a shame. I watched Strange's first film a few days before going to the cinema and liked it much better. PS: Danny Elfman didn't really pull it off either, because he uses Giacchino's great motif, but his own music is not very interesting. PPS: I don't think Strange has much to envy Black Widow's solo outing, and it's certainly no worse than the recent Morbius, so I'm quite curious to see how the critics will handle it :) (05/05/2022)

A blatant attempt to wring out the last vestiges of a graspable comic book universe of famous heroes. Doctor Strange is not a bad character and has a lot to offer, but once the creators embark on yet another scripted whirlwind full of parallel universes, magical books and runes, time jumping, etc., it's more than likely to be just another generic comic book action flick full of colours and digital effects. Sam Raimi's arrival will be appreciated by horror fans, as the second Strange has a lot to offer in this aspect and some moments are quite solidly dark. As a whole, however, the second film does not surpass the compactness and interestingness of the first. (24/12/2022)

I'd say the new Doctor Strange film is extremely big-headed, in every way. Ever since the announcement, they've been trying to promote how groundbreaking it will be by making it the first "Marvel horror movie", but holy crap, I have no idea why they would even want to say that. Overall, I have mixed feelings because the bad wasn't outright bad, but the negatives probably outweigh the positives, and I simply can't be fully satisfied. A lot of things don't make sense, and they break the rules as they see fit (one minute the main villain has a problem with several apprentices, and then the next minute she's crushing the most powerful five heroes // nonsensical use of abilities // in one scene she's flying and in another she's limping slowly, but she just won't use flying - and these are just a few of the many glaring things). There's no time for dialogue, and no time for emotion, so there's a rushed jumping from scene to scene with only terse sentences that just come across as awful, and in a field of only two hours, the film is just insanely rushed and would have been better suited to a slower series. Motivations and character development are leaps and bounds transformations that don't feel consistent and the multiverse itself is also without rules, allowing the filmmakers to do and make up whatever they want, from all sorts of new variations on old characters to bizarre worlds to comically laugh-inducing scenes in the cinema. In the end, it's just a terribly weird-looking affair that still has its quality, but when I ask myself "Where have we come since The Avengers?", I find that I've grown very uncomfortable with the MCU's development, and it looks like it's heading into a very big mess that's going to be very hard to climb out of. (07/05/2022)