Nightmare Alley

This time, form wins over content, as the atmosphere is superb and the direction is meticulously detailed, but the story didn't quite grab me by the heart. The first (roughly) circus half was great, and since I didn't know anything about the plot (even the short official distributor blurb here is actually a spoiler), I was curious to see where it was all going. Unfortunately, this eventually led to a not so interesting second and third act, in which almost everything was suddenly expected, including the beautifully vicious ending. I'm a bit disappointed because I really like Guillermo Del Toro and he got a dream cast for Nightmare Alley, but at the same time I'm not too disappointed. P.S.. Bradley Cooper's hero is a downright Lovecraftian character, and I' d like to see some of that Cthulhu next time. (29/01/2022)

A magical neo-noir thriller by Guillermo del Toro! Nightmare Alley isn't for mainstream audiences and you need to be in the mood for it, but if you're properly tuned in like me, you're in for an awesome magical movie experience. The film benefits a lot from a perfect cast, with Bradley Cooper in the lead and Cate Blanchett also in a very prominent role of her career (the rest of the characters have less space, but Willem Dafoe, Toni Collette and Ron Perlman are good, too). The first hour was very close and appealing to me, set in a post war circus, a setting I like a lot and here they portray very nicely what goes on behind the curtain (all the shenanigans). The story of the wild man is awesome, it has quite a disturbing and sultry atmosphere. Visually it's absolutely breathtaking to the point of being mesmerizing, some of the shots will make want to pause the film and take a picture (Guillermo is a god in visual styling). The second half goes in a different direction, and I won't say which one, but it definitely builds up decently, the tension and uncertainty builds up and the finale is quite uncompromisingly ironic. The film is two and a half hours long and has a slower pace, so impatient viewers will probably fall asleep or give up on it, but I surprisingly stared open-mouthed and thoroughly enjoyed the whole thing. It's a perfect example of manipulation, psychology, scamming and deception with a nice period setting, magical atmosphere, excellent actors, stunning visuals and well written dialogue. The scene where the older gentleman explains to Bradley the trick of manipulating people with the right words- is great. I took away a lesson from the movie, I feel I was on top of things and it's definitely something to debate with friends for half an hour, so very good for me. Story 4/5, Action 2/5, Humor 0/5, Violence 2/5, Fun 4/5 Music 4/5, Visuals 5/5, Atmosphere 4/5, Suspense 3/5, Emotion 3/5, Actors 4/5. 8/10. (24/03/2022)

An epochal experience. It's very nice that we get such an ideal film even in the cloud of this year's Oscar nominations. Great stuff is drawn from William Lindsay Gresham's novel "Nightmare Alley" (1946), which had already proven to be a novelty when it was first adapted in 1947. Stylistically, it is a treat with classic film punctuation, the production design is absolutely art deco and the decadence of a circus setting and a wicked big city are combined. What more could you want? The acting roles, which are a given: Cooper, Blanchett, Dafoe, Mara, Collette... A decade earlier, Water for Elephants was a similar treat. And on TV, maybe Season 4 of AHS or the unfinished HBO series Carnivàle. (04/04/2022)

The critics are singing the praises, but I wonder if it's not a bit of a pose. I like Guillermo del Toro, but it turns out I think it's only within the fantasy genre. Nightmare Alley is nothing more than a drawn out 150 minute tedious borefest with some pretty nice sets and fine actors, but the rest of it is very bad. The first hour is quite watchable and offers solid visuals led by a traveling circus and freak show, but once the plot moves forward in time, del Toro started to lose me until he lost me completely towards the end. Plot-wise, there's not much to stand on and the entire runtime drags on in stereotype form without any major emotion, action or suspense and with each passing minute you just wait for the film to actually start, only to find out towards the end that it just hasn't. And then I don't know what to rate - big names are not enough to be satisfied. (13/02/2022)

Looking at Guillermo del Toro's filmography, I'd say Nightmare Alley might just be his most layered work yet. Set in the 1940s, it starts off as an occult drama within the world of a circus, only to morph into a full-blown noir in the second half. The cinematography is stunning, and the atmosphere thickens perfectly, suggesting del Toro's usual supernatural touch, which he intriguingly subdues with stark pragmatism as the film progresses. It's a bit unexpected, but with stellar performances, this film stands out as one of the most intriguing releases in recent memory. (31/01/2022)