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In this subversive satire, a group of elites gather for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites' master plan is about to be derailed because one of The Hunted, Crystal (Betty Gilpin), knows The Hunters' game better than they do. She turns the tables on the killers, picking them off one by one as she makes her way toward the mysterious woman (Hilary Swank) at the centre of it all. (Universal Sony Pictures Home Entertainment)

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Stanislaus 

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English We've already had manhunting as a "hobby for the elite", but The Hunt takes this theme from a slightly different perspective. The film offers plenty of black-humour scenes and a pretty solid unpredictability – you really don't know who will die, when and how, which is a big plus. On the whole, I was bothered by the passages with too much talking that unnecessarily stretched out the running time. The Hunt is one of those films where I can understand any rating. Otherwise, Betty Gilpin pushed the envelope a little too hard at times with her bad-ass-look, whatever. ()

POMO 

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English The Hunt is cross-genre bullshit that aims to please by going against the grain, but it ends up being just an action-revenge B-movie with comical brutality. However, the actress in the lead role is uniquely atypical. The most typical genre characters deliberately come in with a roar in the first few minutes so that the film is surprising in its exposition, setting the viewer up for a fresh experience, which may or may not suit you. ()

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lamps 

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English The first half is a nice and unpredictable semi-parody that relies on the audience’s familiarity with the rules of the genre, but it’s not afraid to overturn them for fun (and it doesn’t feel inappropriate). In the second half, after the most important cards have been revealed, the film falls into its own mirror and, despite the persisting quality of the craftsmanship and the insight, it can no longer surprise. The heroine is convincingly badass, but Hilary Swank’s attractive character (metaphorically and literally) had some more potential and I would have liked a bolder ending, given the concept of rewriting the expectations. Overall, though, it’s surprisingly good. 65% ()

agentmiky 

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English Or when you make a film where I just couldn’t understand what the creator was trying to convey... Damon Lindelof recently surprised me with his TV adaptation of Watchmen, and when I saw that he was diving into this film from the screenwriter's chair, I just had to check it out. But as they say... the deed went astray. The Hunt does offer some pretty good moments (the gas station scene, the final, finely crafted female fight between the lead and Hilary Swank), but as a whole, it doesn’t work at all. The lead actress was excellent in terms of action, and I mostly enjoyed the fights and tense moments, but when it comes to the dramatic aspects, it really fell short. The overall story didn’t capture my interest; everything felt so detached, like it was stitched together with a hot needle, and only then did they realize they should have given it more attention. And the attempts at supposedly clever jokes completely missed the mark. I didn’t expect miracles, but this was also a disappointingly mediocre experience. For me, it gets 42%. ()

kaylin 

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English The Hunt is an American production that is simply average mainstream entertainment in the guise of a horror movie. The movie is above average because it has quite an original narrative and the actors are directed really well. I think this will be a cult film hardcore fans will watch at least once a year. ()

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