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Sisters Lisa and Kate (Mandy Moore and Claire Holt) are vacationing in Mexico, where Lisa hopes to get over her recent break-up, when they learn about cage diving with sharks, while on a night out. Despite their limited diving experience, the girls agree to get in the water in search of a thrilling adventure and head out to sea with some friendly locals they met in a bar and their guide Captain Taylor (Matthew Modine). However, as they prepare to be lowered down in their cage, the boat's winch snaps, sending the girls plummeting down 47 metres to the seabed. With a limited supply of oxygen, no communication to their boat and sharks circling around them, the girls have no other option but to stay in their cage until help arrives from above, but will it arrive before it's too late? (Universal Sony Pictures Home Entertainment)
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Although it would almost seem that shark movies are already outdated, it must be admitted that in 2016 there were two quite good films on this very subject. The first film was The Shallows, the second was 47 Meters Down. And both deliver exactly the kind of suspense you expect from a shark movie. I'm almost amazed that 47 Meters Down did its job in such a limited space.
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A rather novel shark horror film that impresses by the fact that it doesn't take place on the surface, but deep underwater in complete darkness, where you can't do without a flashlight and oxygen. While director Johannes Roberts doesn't work with open underwater space with the same visual imaginativeness as, say, Alfonso Cuaron did with outers space in Gravity, he still manages to successfully evoke a chilling sense of helplessness and uncertainty in the unfathomable depths, which are immensely vast, full of chasms and predators, and yet you can't see beyond your nose in them. Could there be a better place for horror?
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Let’s face it, you can tell a lot about the quality of this film from its very first scene, in which a nimble blonde swims with mighty strokes up to the surface, which turns out to be a pool in which the water only reaches her hips. What great work with perspective! The following plot was pretty predictable. If two American women go down in a rusty cage among predatory fish, it’s more than obvious that one of them will not make it. Plus, I found both of them so likable that their stay behind the bars left me cold and their constant screaming only spoiled my nap. The ending did stir the waters a bit, but I found no trace of horror in the film whatsoever.
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Two nice ladies on vacation in Mexico end up trapped in a small cage at the bottom of the ocean with the oxygen running out and a shark around them. Decent idea, nice visuals. Two characters, lots of tension and thick atmosphere and most importantly a live shark (no digital crao) that manages to scare the viewer decently and definitely makes you respect it. There's not a lot of blood, but in the there is some. Satisfaction and if you like animal survival movies you should not not miss it. Story 5/10, Atmosphere 7/10, Gore 4/10, Visuals 7/10, Action 7/10, Suspense 7/10, Humour 0/10. Entertainment 7/10, Scares 5/10. 70%
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After a very long time, I’m leaning towards my lowest star rating so far. I was really looking forward to this, as I like films with this theme, but I recognize that making a film about a shark attack isn’t easy; capturing people’s anxiety in a natural way is definitely not a piece of cake. But why am I even talking about this when sharks appear in the film for only about two minutes in total? The first half could still be considered a solid genre addition, but it becomes tiresome as the two main characters keep trying to surface and establish contact, and then continuously discuss running out of oxygen. This goes on until the end. I expected more shark appearances, but didn’t get that. I can praise the music, which was one of the few things that genuinely evoked fear, whereas the acting performances were not particularly impressive. Some scenes had potential but were undermined by illogical elements (like when they left the cage open while the shark circled around, but didn’t think to close it?). The ending offered a big twist in the story, which ultimately felt confusing. Even The Shallows seems like a filmmaking experience compared to this. I give it 51%.
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