Directed by:
Aaron SchneiderScreenplay:
Tom HanksCinematography:
Shelly JohnsonComposer:
Blake NeelyCast:
Tom Hanks, Elisabeth Shue, Stephen Graham, Rob Morgan, Matthew Zuk, Casey Bond, Josh Wiggins, Michael Benz, Grayson Russell, Dominic Keating, Dave Davis (more)VOD (1)
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Videos (2)
Reviews (9)
Greyhound is a dynamically filmed adaptation of a book about escorting convoys of merchant ships across the Atlantic during the Second World War to territories that airplanes couldn't reach from the mainland. The sometimes nerve-racking maneuvers of giant steel ships are intensified by Neely’s background music with a spine-chilling whale motif. The mocking pack of Nazi wolves pitted against Christ – a real American – does not come across as ridiculously as you might think. Tom “Covid Survivor" Hanks again thoroughly relishes his role of a professional, logical captain, first doing what has to be done, then humbly leafing through the Bible, and then going to bed. Strong emphasis on detail, good length. The special effects were not consistently good. ()
Tom Hanks in another war movie, and is great again, and the short running time makes it a fairly brisk suspenseful one-off, but the combat at sea is not as appealing to me as combat on land, so I saw the film more out of obligation and curiosity. Story****, Action***, Humor>No, Violence>No, Entertainment***, Music***, Visuals****, Atmosphere***, Suspense****. 6/10. ()
I respect that there are still filmmakers who want to explore WWII stories, but Greyhound is really just about a single ship crossing the Atlantic, being hunted by German submarines—nothing more, nothing less. Some shots were nice, others felt overly digital, but emotionally, it didn’t really grab me at all. Not even a slightly weary-looking Tom Hanks could save this one for me. ()
As if, after Band of Brothers and Pacific, Tom Hanks needed to pay homage once more to the front-line heroes of World War Two. This film falls short of the parameters of a war movie for the big screen; it rather feels like an expensive TV production, with one studio, one incomplete model of the ship, a bit of wizardry with the weather, and lots and lots of greenscreen. At times it is monotonous with one order after another being barked at subordinates, but it also contains interesting ideas (to wit: the provocative radio calls of German U-boats). Hanks, who has the proper charisma of a captain, reliably keeps the picture afloat, and the torpedoes provide one moment of suspense – but overall, I’m not impressed. Das Boot isn’t dethroned by this. ()
It didn’t turn out to be such a terrible B-movie as the trailer made it seem at first. However, although it has a great pace from start to finish, you can't shake the feeling that its biggest advantage is, ironically, that it’s over in 90 minutes. A likable movie, nevertheless, full of pathos and often bordering on being unintentionally hilarious. ()
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