Directed by:
Leigh WhannellScreenplay:
Leigh WhannellCinematography:
Stefan DuscioComposer:
Jed PalmerCast:
Logan Marshall-Green, Betty Gabriel, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Simon Maiden, Richard Cawthorne, Christopher Kirby (more)VOD (1)
Plots(1)
Grey Trace, a technophobe in a utopian near-future when computers control nearly everything - from cars to crime-surveillance - is paralysed in a freak mugging that leaves his wife dead. But when a billionaire technologist offers him an experimental paralysis cure - an implanted computer chip called STEM - Grey finds that the chip has a voice and a mind of its own. Together Grey and STEM embark on a mission to avenge his wife's death. (Madman Entertainment)
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Reviews (13)
Uncompromising action mayhem orgasm! Leigh Whannell, writer of Insidious and Saw, tries directing for the second time and it turns out great. Logan Marshall-Green, who has a Tom Hardy vibe, excels in the lead role and you root for him throughout the film. For the first time in a long while, a truly original film unlike anything I had seen before, and the action scenes are awesome, with no blood or violence spared. Combining my favourite sub-genre of revenge in a high-tech jacket was a great choice and suits the film perfectly. I find the fights (the final one is a treat) and the denouement satisfying as well. Although it is hardly a horror film at all, it is a solid action-sci-fi-revenge thriller. 85%.
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Grey's wife was just killed by a group of thugs and he ended up in a wheelchair. But his days aren't over, thanks to an experimental chip and artificial intelligence, he's started walking again and can get his revenge, and the computer in his body is willing to help him do it. Upgrade is an action-packed B-movie that's surprisingly smarter than it looks at first glance. Plus, it has some great uncompromising and brutal action, so it's fun to watch. It's just a shame there wasn't someone more capable and charismatic in the lead role. But it's still very much above average in its genre.
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It’s fun when a futuristic idyll turns into Death Wish under the baton of a smart-ass computer like out of Space Odyssey. It’s even more fun when Whannell doesn’t give a crap about the characters and serves one interesting idea after another so thoughtful viewers would not get bored and would not mind that they can see far into the premise. A narration without major peaks, but also without hesitation and with an ending that arrives at the right moment and doesn’t disappoint. For a little love, a lot of attractive fun.
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The most original little big cyberpunk B-movie in at least a few years. It has all the ideas, the swagger, the brilliant action and the blown heads that fans of revenge sci-fi need in regular doses every now and again. The production design is intentionally understated, with post-rock music that gives it the right mysterious atmosphere and moderate clear action without big military passages like in the Terminator franchise, but with a story that allows the filmmakers to indulge in relatively breakneck excesses. Whannell knows exactly how to mix this shake. Great fun.
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In an interview with Joe Rogan, Elon Musk mentioned that he was about to announce something interesting in the area of connecting the brain with the digital world (this was immediately forgotten, because the newspapers only wrote about him smoking a joint with Joe). If this is what he had in mind, then we have something to look forward to. Whannell’s Upgrade is surprising both with its excellent action scenes and a story that works great. It's like Robocop, but more realistic, and it certainly has something to say with its nice ending and captivating visuals. Even though it has a bit of a B-movie plot, it has a lot of heart – and no shortage of blood.
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