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In this unpredictable sci-fi thriller, based on the bestselling novel of the same name, a mother, Malorie (Sandra Bullock), and two children navigate a hostile, even demonic landscape after an apocalyptic event. As Malorie confronts her ambivalence toward motherhood while learning the rules of her new uncertain existence, she and a small group of survivors must grasp in the dark — figuratively and literally — in the hope that there is life outside of themselves. (AFI Fest)

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Reviews (13)

POMO 

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English Another attempt at combining horror and social drama, sitting in a corner in the shadow of Darabont’s The Mist. The constant alternation of the two different time planes becomes narratively monotonous after an hour or so. Somehow, with its “relationship content” and all of the clichés it tends to use, it becomes very unlikely that the film may in any way be surprising or bring something new into its subject matter, which resembles that of some recent genre movies. The intriguing premise with a great start fails to fulfill the potential of a decent genre event, leaving only a safe, mainstream drama about the importance of sticking together with a few scary scenes, children at risk and a pleasant Sandra Bullock. It’s not that I didn’t watch it with interest; I just consider it a waste of a great potential. ()

Goldbeater 

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English Anyone could admit  that it is only a facsimile of A Quiet Place, however, Bird Box cannot be denied its own merit and the fact that it goes off in a different direction. From a technical and acting point of view, it is a great achievement (I think that more time and space could have been given to John Malkovich’s character especially, I would have appreciated that). However, the retrospective narration was painful - and, because of it, you could predict how the movie would turn out from the beginning concerning most of the characters, so there are no real surprises when something really bad happens. The audience is thus unnecessarily deprived of suspense, and it is impossible to generate an emotional connection with the characters from the start, which is a great shame with this type of movie. Also, perhaps only those with the sunniest of dispositions could have actually believed the ending. ()

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D.Moore 

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English I liked it a little more than A Quiet Place, because this film started, continued and ended with a intimate-depressing atmosphere, and never drifted towards action scenes at all costs. Moreover, the evil that was causing all this was even more mysterious, unknown the entire time and thus more interesting. That's great. And the scene with the car ride to the supermarket was truly superb. ()

agentmiky 

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English I just don't know. Similar to A Quiet Place, the film has a unique premise and a great cast, but the final execution lost quite a few points in some aspects. I genuinely appreciate the idea of suicidal tendencies after seeing the entity... but then there's the entity. The film fails to explain anything; we don't get any details about whether these are extraterrestrials made of flesh and blood or some sort of cosmic matter. I don’t even know how it came to Earth. I don't consider myself someone who enjoys filling in gaps left by others. Why should I have to? Moving on... Sandra Bullock surprised me. Although I didn’t quite buy her as a pregnant woman, she delivered high-standard performances in emotionally charged moments. There are some great scenes (the one in the house with Tom Hollander was absolutely top-notch). The ending played on emotions, which I understand, but the abrupt cut and lack of explanation really frustrated me. It felt like a missed opportunity, and it was a significant one. I give it 63%. ()

Kaka 

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English A similarly conceived atmospheric group survival like A Quiet Place, or the slightly more pompous and louder World War Z, two films dealing with a global apocalypse and the initial inability to locate why, or even how to defend oneself. Unlike its competitors, Bird Box doesn't go the route of flashy kills or massive shots of tons of dead bodies. Instead, it plays an interesting game between a group of people, led by the initially slightly controversial mother Sandra Bullock, and an invisible evil. It's a film that surprisingly isn't about being out there, and to make that very clear, it's very slow and hard to find out what's actually going on. Instead, Susanne BIer plays a rather sophisticated and entertaining game about the fact that the absolutely key clue to victory is family cohesion, dreams and the will to go on no matter what. All this in a non-pathetic, light and perhaps even "fun" way that does not outright bring pain. I would ignore the experts who will bitterly complain that they didn't get the explanation they needed. There's an abundance of it, it can be taken at any time, you just need to watch carefully, because sometimes the greatest danger may not be visible at first sight. ()

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