Directed by:
Panos CosmatosCinematography:
Benjamin LoebComposer:
Jóhann JóhannssonCast:
Nicolas Cage, Andrea Riseborough, Linus Roache, Bill Duke, Richard Brake, Ned Dennehy, Olwen Fouéré, Isaiah C. Morgan, Paul PainterVOD (1)
Plots(1)
Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeanceand laced with fire. (Elevation Pictures)
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Reviews (11)
Panos Cosmatos exorcises the genre demons of his childhood (his father is the director of Rambo II and Cobra) with a trash revenge story transformed into a mystical psychotropic epic. The film completely fulfils Alejandro Jodorowsky’s dictate "I ask of film what most North Americans ask of psychedelic drugs". Nicolas Cage is promoted to the role of a visual artifact in an airbrushed scene from the side of a van brought to life. Nevertheless, proclamations that Cage has reached the maximum level of madness in his acting are rather overwrought – in this respect, the second Ghost Rider still holds the lead.
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A Ken Russell for the 21st century, Cosmatos is my nightmare come true. I was stunned by the film in the first ten minutes and could physically feel my pupils dilate while watching it. Ignore the bored yawns of impatient kids gorging themselves on meatloaf, Cage, and retro, this is the flashback to the 80s you want to have. Foggy, surreal, dangerous, and strangely distant. Except I have to figure out why the folks from the Karlovy Vary Film Festival asked me back then to translate some subjects through the lens of a Dungeons & Dragons player, heh.
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Of course… who else should star in this movie if not Nicolas Cage. He is currently the only Hollywood actor who turned acting into a completely extravagant experience. If he is in pain, physically or mentally, you’ll simply feel it too. And since he keeps appearing in films which are outside the norm, you can count on Nicolas Cage being in complete mental and physical pain. When it came to the execution of the movie, I was quite upset. The first half was mostly for show. The director played with purple filters and half the time I couldn’t even see what was going on in a scene. But the important thing is that it is glamorous. The second half of the movie was hardcore, though. That’s actually when the dark side of Nicolas comes to life together in a surreal ride full of such shit you won’t believe your eyes. An unbelievable crazy trip. Again, one of those films that try to shock you creatively and it is pretty successful in doing that.
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Mandy is a hallucinogenic grindhouse revenge bloodbath, at the beginning of which there is a love
story engulfed by cosmic darkness. It is surprisingly compelling and conceptually cohesive, given the
cheap filters and B-movie budget. It is also pleasantly refreshing in the context of the artsy festival
mood. The highlight, of course, is Cage drinking in white shorts and an orange t-shirt with a tiger
emblazoned on it. [Cannes]
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Oh, no, not this. Again, one of those films that critics praise to the skies but is literally painful for the average viewer. Nicolas Cage is a dead actor for me, this guy won't be in a good movie anymore and he certainly can't act. The strange pink and red filter covering the financial shortcomings was annoying, absolutely nothing happens for an hour, and if by some miracle you are still awake after an hour and not completely disgusted, you won't find much satisfaction in the second one either. I suffered, I went crazy, this is not for me. 35%
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Gallery (25)
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![Mandy - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/412/162412935_633277.jpg)
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