Bad Boys II

Plenty of shots of the jacked-up Will Smith and the awkward Martin Lawrence, a solid chase scene, a wannabe cool group of Haitians, and an excellent finish in the sand. But above all, plenty of missed references and shooting at seemingly all ethnicities or minorities. Michael Bay has lost his mind and while this is the most beloved installment worldwide, for me it is clearly the worst in the series. (23/12/2005)

An almost abysmal difference from the entertaining and brisk first one. The characters of Lawrence and Smith may still have the same potential, but it’s hopelessly drowned in 150 minutes of repetitive, foul-mouthed dialogue that becomes irrevocably boring after a short while. Michael Bay seems to have gained a very high opinion of his work after the success of The Rock, and instead of continuing to make exclusively action-packed popcorn movies for the entertainment of the audience, he started betting everything on profit. Perhaps it’s paying off for him, but I'm not going to forgive him. 50% (09/06/2012)

I'm not a racist, but the Hollywood nigga-macho archetype is really getting on my nerves. And when the two come together, they get an arsenal of stupid catchphrases, designer clothes, and a flimsy story about drug dealers... Well, what's going to come of it? An incredibly simple film with great action sequences. I would like to narrow the film down to them, avoid unnecessary interludes and "humorous" speeches by both Will Smith and Martin Lawrence. Two stars for Michael Bay's traditionally great direction, a thoroughbred edit and a colorful camera. Which, unfortunately, doesn't mean you can watch Bad Boys II with your brain online. (06/11/2005)

Very weak for Michael Bay’s standards, with tons of awkward dialogues that hinder an otherwise decently started storyline. The director covers up all the holes in the script with what he does best, breathtaking action. But even that has its flaws. The shootout at the intersection is practically a weaker copy of Mann's shootout outside the bank in Heat, with the same camera positions, the same shots, etc. Bay, of course, cuts much more disproportionately and the camera filters reduce the dose of reality to a minimum, but that's not the point here. Martin Lawrence is traditionally awkward, but we're already used to that. Annoyingly American crap. Movies like this won't make a great name for the current Hollywood film industry... (27/01/2006)

It's just a sequel. Bay wants to be even more spectacular, but he's basically just repeating himself. There are even more slow-motion shots, and even more technique, and it almost forgets about the main thing - camaraderie. But the lead duo thankfully saves the day and still has some bright and funny moments to win you over. (29/04/2017)