Directed by:
黒澤明Cinematography:
Asakazu NakaiComposer:
Fumio HayasakaCast:
Takashi Shimura, Daisuke Katō, Minoru Chiaki, Isao Kimura, Seiji Miyaguchi, Toshirō Mifune, Kamatari Fujiwara, Atsushi Watanabe, Isao Yamagata, Reiko Mori (more)Plots(1)
In 16th-century Japan, the residents of a small farming hamlet find they are incapable of defending themselves from a group of marauding bandits. To salvage their livelihoods, the villagers entreat a number of masterless samurai, or ronin, to protect them, their families and crops. (Madman Entertainment)
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Reviews (10)
Seven Samurai is considered one of the cornerstones of the action and adventure genre. It is a film that is usually discussed in superlatives and is exceptionally highly rated by film fans. So please explain to me why I felt as if I had worked a full day in a quarry after watching it, even though I watched it with a break and only saw the edited 160-minute version. The original has an additional runtime of 43 minutes. Film critics generally consider Kurosawa's peak creative period to be in the 1950s, but I, on the other hand, believe that while Kurosawa's work in the 1950s was daring, ambitious, and clearly superior in quality to the gray Japanese contemporary production, he was still striving for directorial mastery. His samurai excursions into ancient history suffer from a theatrical acting style that often crosses over into unpleasant affectation. In this regard, Toshiro Mifune's portrayal of Kikuchiyo is sometimes unbearable. It is strange that this characteristic of Kurosawa's historical films is almost unnoticed by others. In comparison to the more famous American remake The Magnificent Seven, Akira ultimately achieved a draw in my eyes, even though both films have their strengths and weaknesses in different areas. The original film has a realistic tone, with the mercenaries not triumphing over a nearly sixfold numerical advantage due to exceptional fighting skills, but rather by joining forces with the village residents, training them in defense of their homes, and teaching them tactics and weapon control. In contrast, the American version is faster-paced and more entertaining, with a reasonable runtime and better-developed characters, but it is steeped in genre clichés and is a typical western fairy tale about invincible gunmen defeating villains. Overall impression: 60%.
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The Seven Samurai and The Magnificent Seven clearly demonstrate the difference in the nature of Japanese and American cinema. Where one is distinguished by tough guy gestures, strong speeches, and heroic archetypes, the other relies on a slow pace, pleasure in storytelling, drawn characters, and a much more universal message of war. Even the conclusion of Seven Samurai (the legendary "we were not the ones who won") is completely without pathos and rather involves the tragedy of men who cannot stop fighting because war is their livelihood. Kurosawa's film may be too relaxed for the action genre, permeated with beautiful dialogues and magnificent "twists and turns", but that's what makes it a hundred times more valuable than Sturges' subsequent remake. It's not just a story of few against many, but a story of a real war (which is what the samurai call the defense of the village), which surprisingly lacks the inescapable feeling of "they will wipe them out". The final scene pits 13 highwaymen and a village full of determined defenders against each other! There is no classic villain! The absence of the usual scheme of good vs. evil (the samurai are certainly not saints) and its replacement by believable characters led by the incredible freak Toshiro Mifune endows the film with beautiful poetry that the American bubblegum version can only wish it had. Definitely one of the best war films ever made. Wise, prudent, deep. [I really like The Magnificent Seven, but...]
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Kurosawa’s gem is a tad slow for my taste, but precise in every detail. This picture was a foundation stone for so many stories, where a handful of brave men stand up for the weak, even though they are heavily outnumbered. These days we should value these films all the more, because even after all these years they tell us more about people than any others. Your head is on the block and all you think of are your whiskers?
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Akira Kurosawa's sprawling work and predecessor to The Magnificent Seven (which I haven't seen yet) still offers a terrific action spectacle with an element of humour and drama after almost six decades. I'm not saying I stared at the screen with my mouth open for the entire three hours, but I just loved the fights, the camerawork and Kikuchi's awkwardness. In short, a great Japanese film that may be longer than it needs to be, but is definitely worth a watch.
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One of those films that is not glorified unnecessarily. It's a breathtaking opus that is long, but not unnecessarily so. There's drama, humor, action, and emotion here. All of this is part of the story of one village just trying to fend off bandits. Great characters and great scenes that are impossible to forget. Above all, the ending is truly poignant and shows what form gratitude can take for people who died for you.
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Gallery (57)
Photo © Toho Company Ltd.
![Seven Samurai - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/167/024/167024835_7ceed4.jpg)
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