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How does an Irish lad without prospects become part of 18th-century English nobility? For Barry Lyndon (Ryan O'Neal) the aer is: any way he can! His climb to wealth and privilege is the enthralling focus of this sumptuous Stanley Kubrick version of William Makepeace Thackeray's novel. For this ravishing, slyly satiric winner of 4 Academy Awards, Kubrick found inspiration in the works of the era's painters. Costumes and sets were crafted in the era's designs and pioneering lenses were developed to shoot interiors and exteriors in natural light. The result is a cutting-edge movie bringing a historical period to vivid screen life like no other film before or since. (Warner Bros. AU)

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Stanislaus 

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English An epic tale that follows the life of Redmond Barry, who became Barry Lyndon, I loved it in every way, but I'd highlight the engaging cinematography, the great period music, and the impeccable costumes and hairstyles. But the actors didn't slack off either. Ryan O'Neal's performance in particular is stunning. It's incredible how a long and, above all, stable and sensible story can be told in a three-hour running time. And master Stanley Kubrick managed to do it with panache. In short, a film with everything, offering the audience a whole range of genres. ()

novoten 

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English A slowly unfolding, utterly unpredictable, and almost intimate story of one man who greatly influenced the fates of many people. Kubrick presents his most magnificent work cautiously, perhaps somewhat unevenly, but every, even the smallest scene, has its justification in the final outcome. Furthermore, he chose the perfect actor, Ryan O'Neal, for the main role, who showcased his acting skills the most in gradually escalating scenes of a card game or interrupted concert. The narrator, however, remains a flaw, as while filling in the gaps nicely, their guiding speeches harm the tension of the unfolding events. ()

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Lima 

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English It will be all praise, but what else can be said about a film that, despite its three-hour runtime, I devoured like a raspberry? The composition of the images, the thoughtful use of colour and contrast, the perfect choice of interiors and exteriors, the magnificent cinematography, the well-chosen period music; even the costume designers did their best. All this for the pleasure of the eye, which grazes heartily for three hours. And on top of that, a slightly sarcastic story that draws the viewer in and doesn't let go until the closing credits. There’s no risk of boredom... After Dr Strangelove, my second favourite Kubrick film. ()

kaylin 

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English Even though one might think that this will be an unbelievable boredom, that even Kubrick couldn't accidentally direct, the Master once again proves that this is a film that captivates. Even though it's not action-packed, you will still be on the edge of your seat, whether it's because it's entertaining, dark, intimate, and sometimes simply sexy, albeit in its own way. Those three hours will go by quite quickly. ()

NinadeL 

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English The third time’s the charm. While it's a nice chapter in the history of film on the subject of lighting, and I'd love to read William Makepeace Thackeray's novel someday, if the scene of finding the bow in the cleavage doesn't work, there's something wrong with the film. That something is called Kubrick. Hooray! And we clap and we high-five. While we do not enjoy the realities of the 18th century, for which of course we have no understanding, we do enjoy the compositions and the anti-hero, and like monkeys, we adopt the lessons of the divine auteur who is so familiar to us. ()

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