Directed by:
Brad PeytonCinematography:
Jaron PresantComposer:
Andrew LockingtonCast:
Dwayne Johnson, Naomie Harris, Jeffrey Dean Morgan, Malin Åkerman, Joe Manganiello, Jack Quaid, Jake Lacy, Marley Shelton, Breanne Hill, Jason Liles (more)VOD (3)
Plots(1)
Primatologist Davis (Dwayne Johnson) shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. When a greed-fueled corporation's genetic experiment goes awry, George and other animals across the country are mutated into aggressive super creatures that rampage the city. In an adrenaline-filled ride, Davis tries to find an antidote to not only halt a global catastrophe, but to also save the fearsome creature that was once his friend. (Roadshow Entertainment)
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Reviews (9)
An immature project that only made it to the big screen thanks to The Rock's narcissistic personality. But I don't want to blame him, his dedication to an otherwise totally imbecilic flick is the main ingredient that elevates the film into watchable mediocrity – and maybe also Morgan’s charisma and the beauty of Naomi Harris. Otherwise, it's just a bunch of overgrown monsters with dramaturgy from the early fifties and barely an interesting scene or catchphrase. Pointless.
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A Godzilla spin-off that from the start comes across as a smiling distant relative from the mother's side. The atmosphere is on a jolly wave, with sleazy baddie Malin Akerman, good cop Jeffrey Dean Morgan and charismatic ex-Marine Dwayne Johnson battling the digital vermin. Add to that a faithful recreation of Chicago, which is destroyed probably for the 90th time. The visuals are sexy, no doubt, but there is no Godzilla poetics, no atmosphere, no innovation of the genre. Basically a family-friendly destruction movie for a Saturday afternoon. And theoretically to the cinema, if one turns a blind eye.
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An oversized gorilla, a wolf and a crocodile meet in Chicago and totally destroy it. Sounds good, right? But before that happens, you're in for a bunch of uninteresting characters, not-very-functional humour and a hackneyed plot. Oh, and the final battle could have been better, too, with a fun color palette and some ideas. In the context of dumb and loud action movies, Rampage is inoffensively average. But if you don't watch it, probably nothing will happen at all.
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An asylum monster flick with a monstrous budget, Rampage is a bit of technically perfect mind candy with high-quality 3D and beautiful monsters that we enjoy the fullest both in lush greenery and in the concrete jungle of Chicago. But to be really satisfying, this movie would need a more personalized director’s touch, whether conceptual (Cloverfield, Godzilla) or at least superficially visual (Michael Bay). Rampage has purely mechanical, sexless direction, wants to satisfy everyone, does not want to offend anyone and, unfortunately, doesn’t even try to be surprising.
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I've seen two Brad Peyton movies with Dwayne Johnson, both of which were stupid and didn't entertain me much. This one is also dumb, but I enjoyed it a bit more. It ticked along and was really all about monsters getting mauled and the main characters surviving, all as spectacularly and heroically as possible. From that perspective, I enjoyed watching Rampage much more than this year's Godzilla: King of the Monsters, although it's no gem either. But whatever.
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