Directed by:
Gilles Paquet-BrennerScreenplay:
Julian FellowesCinematography:
Sebastian WinterøComposer:
Hugo de ChaireCast:
Max Irons, Glenn Close, Gillian Anderson, Christina Hendricks, Honor Kneafsey, Terence Stamp, Julian Sands, Stefanie Martini, Roger Ashton-Griffiths (more)VOD (1)
Plots(1)
When the wealthy Greek patriarch Aristide Leonides dies in suspicious circumstances, his granddaughter Sophia implores Charles Hayward, a private detective and her former lover, to travel to her family estate and investigate. When he arrives, Charles discovers three generations of the Leonides dynasty and a poisonous atmosphere of bitterness, resentment and jealousy. In a house laced with motives, clues and suspects, will he find the murderer before they strike again? (Roadshow Entertainment)
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Reviews (7)
Taking into account the final and very shocking reveal and the plethora of exceedingly wacky, twisted and certainly very well portrayed characters in the plot, it is no wonder that Crooked House was the favourite book of the author herself, Agatha Christie. I'll definitely have to find the time to read that book. As far as the film adaptation is concerned, it has more than one big name actor – I’d like to highlight the performances of Glenn Close and Terence Stamp. On the other hand, I didn't find Max Irons' performance in the lead role to be very good. Compared to the TV movies with Poirot and Miss Marple, Crooked House is noticeably longer, so some sequences felt too stretched out. It's really a shame that it's a pretty boring affair in the end (except for the reveal), because the potential was definitely there.
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Agatha Christie considered Crooked House (1949) to be her favorite novel. Perhaps because she defended the ending against the publishers' assumptions. In any case, the material is also interesting for the audience because the filmmakers don't use it much. Here we have the opportunity to encounter a relatively new and interesting substance; moreover, the cast is dominated by Glenn Close and Gillian Anderson outside their usual mannerisms. And while I prefer the pre-war Christie in many ways, I certainly don't consider this a loss. Yet if only the filmmakers could have stuck more to the aesthetics of the 40s, given that the 50s are in fact somewhat different.
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I was really looking forward to this film but was somewhat disappointed with the result. It wasn't bad, I just expect more of a film adaptation of a book by Agatha Christie. The story seemed rather mediocre. Only the ending stood out - it was excellent. Concerning the acting performances, a special mention goes to Christina Hendricks and Glenn Close who entertained me the most.
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This film has quite a large cast of interesting actors, which led to one of the least interesting Agatha Christie adaptations ever made. It's a bit sad, but even though the film tries to achieve some atmosphere here and there, it just doesn't work and it's not worth it. The plot may have been good in the book, but it wasn't developed well here.
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The unexpected denouement of an intricate criminal case says a lot about why Agatha Christie was, and still remains, the uncrowned queen of crime fiction. In addition, Crooked House has a stellar cast, led by Glenn Close and Gillian Anderson. It's just a shame that the plot drags on and on, which doesn't help the otherwise well-crafted atmosphere of growing tension and suspicion in the country estate. (65%)
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