Darkest Hour

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During the early days of World War II, with the fall of France imminent, Britain faces its darkest hour as the threat of invasion looms. As the seemingly unstoppable Nazi forces advance, and with the Allied army cornered on the beaches of Dunkirk, the fate of Western Europe hangs on the leadership of the newly-appointed British Prime Minister Winston Churchill (Gary Oldman). While maneuvering his political rivals, he must confront the ultimate choice: negotiate with Hitler and save the British people at a terrible cost or rally the nation and fight on against incredible odds. (Universal Sony Pictures Home Entertainment)

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kaylin 

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English On the one hand, Darkest Hour is primarily a one-actor film, and Gary Oldman proves his mastery here. On the other hand, it's also a film about a time that was very unpleasant, but in which people still lived and wanted to live, and it can even be presented in a funny way. Churchill was a strong personality and deserved a film like this. ()

agentmiky 

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English A more intimate portrayal of the life of this well-known historical figure, focusing primarily on Churchill's most challenging political period, when every wrong decision could lead to disaster. It’s almost like a theatrical performance, with everything running as smoothly as a Swiss watch, and there are perfect dialogue situations where Oldman truly shines. He must have gone through intense preparation; it was certainly no easy task, but it’s evident he gave everything to his role. His precise movements, facial expressions, and clever verbal nuances made Churchill reign supreme, and Oldman managed to mimic him flawlessly. At times, one almost believed that Churchill himself was present. I completely understand why the Academy Award went to Oldman; it’s one of the top performances in recent times. The casting of supporting roles was also well-considered, with Stephen Dillane being unparalleled and Ben Mendelsohn as the British king also convincing. Don’t expect action scenes here; it’s simply a biographical journey through the life of this remarkable man, who managed to win over citizens with his actions and conduct. The film also offers emotionally charged scenes accompanied by a subtler yet very fitting soundtrack. I give it 84%. ()

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Malarkey 

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English It is an exemplary Oscar drama. If only the film screened in any different time, but it has to appear at the beginning of January, the typical date for the release of Oscar movies. It doesn’t get more obvious than this. And of course, Gary Oldman is awesome in it. It is even more fascinating if you have seen him in films like Lost in Space, which is over twenty years old, and then you see him play the role of Winston Churchill. Of course, it looked like Churchill was played by Churchill himself. That traditionally stands out over everything else in the movie, which always happens with films like this. ()

Necrotongue 

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English Winston Churchill is a very controversial figure for me. The film deals with his becoming the Prime Minister at a time when everything seemed to be lost, and it’s true that it was he who managed to galvanize Britain to fight on. However, as the war progressed, his interfering with the decisions concerning war operations often proved counter-productive (Force Z, Mers el-Kebir, trying to open up the front in the Balkans, etc.). Gary Oldman in the role of Churchill was good; I liked John Lithgow in The Crown better, though. I wasn't bored for a single moment, I've always found British politics interesting, especially war politics. Like many other users, I was disappointed by the massive load of political correctness. All that was missing after the tanned young man said the last words of the poem was to casually mention that he was a renowned surgeon and sang opera in his spare time. Oh well... ()

Kaka 

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English An engineering film, perhaps for the target audience of naive naturalised university students who feel that a degree is the holy grail and the key to good results. In a figurative sense, this is the same Joe Wright, director of the 11-year-old and brilliantly polished Atonement. He tries to make every scene formally, aesthetically and dialogically perfect so that the charge, juice and density of the story actually slips through his fingers like a knife through butter with nonchalant elegance. But the ending is way off the mark. If it is supposed to be Oscar bait, it was not very successful. If the film worked as a mere vehicle to highlight Gary Oldman's makeup and acting, then OK. ()

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