You Were Never Really Here

A straightforward film noir made as an art film, noble and action-free. We are shown bloody massacres only in mediated form or after the hammer has come to rest. The introductory exposition is unnecessarily long, even if it defines the relationship with his mother and the kind-hearted core of Phoenix’s role. The traumas of war (and equally of childhood) are clearer in the synopsis than in the movie itself. Although there’s no shortage of good ideas, it’s just not as hard-hitting as Drive. The acting is awesome, the traumas weighty, the dream sequence surprising, but the finale is just a less entertaining version of Taken with a tubby old guy instead of Neeson. (29/04/2018)

An indie version of Taken without everything that made Taken cool – stylish action scenes, likeable protagonists, courage and interesting visuals. And without everything that could have made this indie version into a great movie – a psychologically meaningful portrayal of the protagonist and her relationship to her protégé, artsy visuals or a deeper, probably existential message. It’s not totally boring; the film’s dogged effort to be different at all costs has its moments (for example, the kitchen scene with the wounded killer). But as a whole, it doesn’t rise above average, especially because of the unremarkable ending. (03/06/2017)

I have a great admiration for Joaquin Phoenix as an actor; he always manages to approach his roles in such an unconventional and unique way that it inevitably pulls every viewer deeply into the films in which he appears. That alone made me want to watch this art film, as his presence guarantees a certain level of quality. But I have to admit one thing... he was the main element that kept the film somewhat together; without him, the entire project would have fallen apart like a house of cards. Don’t get me wrong, I can appreciate a high-quality artistic endeavor that breaks away from established norms, but here the creators delivered a bit too much and at the same time, nothing substantial. The story was something I could tolerate, but the film offered almost no tempo or build-up. The only exceptional camerawork I found was the underwater scene, which was a real treat. On the other hand, it’s quite disappointing when only one scene out of an hour and a half captures my attention fully. Plus, I was expecting a more intense conclusion. It’s a shame. I give it 55%. (17/10/2019)

I didn't even get a chance to take a proper breath and the whole thing was over. This doesn't happen to me very often when watching movies, so despite some confusion in the narrative, I am extremely satisfied with it. Joaquin Phoenix takes on the role of a war veteran as if he had never played anyone else, and yet he has played so many diverse roles that few actors can boast of. He deservedly picked up some awards for his mesmerizing performance in this psychological thriller. For most of the time, I pondered the reason behind his actions and deeds, while my mind was constantly haunted by the highly unsettling music accompanied by nerve-wracking noises. I was very impressed by the visual sequences that complete the captivating atmosphere, which will probably remain in my memory for a long time. It will surely include the almost ritual burial of the mother in the lake depths. Even though there wasn't a full showdown at the very end, I wasn't disappointed because I wasn't really expecting anything like that. I gratefully acknowledge that, like the protagonist, everyone has to chew it over in their heads. And if you don't, a few blows with a hammer will certainly fix it. (80%) (08/06/2020)

An emotional quagmire of trauma, hopelessness, and yet another flawless performance by Joaquin Phoenix. This film isn't likely to appeal to a broad audience — it's too brutal, uncompromising, and depressing for that — but it will definitely resonate with a specific crowd. Personally, I'm drawn to these types of films. Sure, they leave me in an even worse mental state than usual, but something about them captivates me, even though immersing myself in such powerful and bleak stories isn't always ideal. The plot is simple and not particularly unique — essentially a classic crime story spiced up with a revenge thriller twist. However, the execution elevates it. The precise direction and the evocative score, beautifully complementing the narrative, are the film's main strengths alongside Phoenix's performance. There are several intensely brutal scenes, especially one at the end that really shook me. Still, I felt it could have been even more brutal; some scenes seemed slightly toned down. Yet, this was balanced by innovative camera work and directorial choices, like the use of security camera footage. Phoenix undergoes another complete physical and psychological transformation, becoming the character he portrays. He puts everything into his roles, and I wonder how long one can sustain such intensity without it taking a toll. The final scene cleverly blurs the line between a happy and tragic ending. You Were Never Really Here is a recommendation for discerning viewers who appreciate artistic approaches and are willing to wade through the muck of human suffering and emptiness. (10/10/2017)