Directed by:
Louis LeterrierCinematography:
Stephen F. WindonComposer:
Brian TylerCast:
Vin Diesel, Michelle Rodriguez, Jason Momoa, Jordana Brewster, Tyrese Gibson, Ludacris, Nathalie Emmanuel, Brie Larson, Sung Kang, John Cena, Alan Ritchson (more)VOD (3)
Plots(1)
Based on Dante's plot will scatter Dom's family from Los Angeles to the catacombs of Rome, from Brazil to London and from Portugal to Antarctica. New allies will be forged and old enemies will resurface. But everything changes when Dom discovers that his own 8-year-old son (Leo Abelo Perry) is the ultimate target of Dante's vengeance. (Universal Sony Pictures Home Entertainment)
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Reviews (8)
A reliable dose of the same old same old, occasionally lacking in any exceptional originality. Even though everyone in front of and behind the camera can bend over backwards to surprise, provoke, or turn the laws of physics upside down for the viewers over and over again, I can't help but sometimes sit with the feeling that it's not a complete Yes. I welcome Brie Larson and the wild Jason Momoa in the role of the Brazilian clown Pennywise, I can also accept any "fun for the whole family". After all the leaping over skyscrapers, endless highways, or torpedos getting hurled away, I was just expecting something more specific than complicated chases through metropoles and more escalating triumphs pulled out of agency sleeves.
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Fast and Furious wants to be like other big and successful franchises, for example, Marvel or Mission Impossible. It aims to put together its own universe with its own rules, audience favourite characters and, most importantly, make billions of dollars. The quality, however, has extreme fluctuations from one episode to the next, and in the case of the tenth it’s for the worse. And yet it looks so promising in the first minutes, with a brief recap and alternation of the legendary fifth episode. But this sequel is bad in pretty much every aspect. There isn't much humour, the action is trivial, the visual effects are extremely poorly done and if all this can be forgiven because of your favourites, the protagonists (with the exception of Jason Momoa) don't even have any juice. Perhaps the biggest filmmaking failure for me is the blatant attempt to rip off the best moments of other films and use them in a worse way, without having the same added value, or at least the desired effect. There are a lot of trademarks and fragments of other episodes in the franchise, and also from Face Off, Mission Impossible, Mad Max, etc. This franchise has turned into a billion-dollar colossus, but the last two episodes bring it back to the quality level of the third and fourth entries (if not worse), which hardly anyone remembers, let alone appreciates nowadays after all those excesses.
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Just as stupid as last time, but a lot more entertaining. This time, Dom and his family face an enemy that's been preparing for a clash with them for ten years, and he wants to enjoy it. And most of the cast enjoys it too, not afraid to push the tenth Fast and Furious into comedy, but also pushing the most superficial characters to at least some development. Everyone here is trying and everyone here is having fun. Except Vin Diesel, who apparently still thinks he's making something like Hamlet with cars. Stupid, but fun.
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Fast Cinefood X. A family barbecue of the "car cult" variety with migrating corn and a Roman rolling neutron apple, which Dommy Boy uses to play car football, quickly convinced me to put my brain in OFF mode. So, don’t be surprised that I’m asking: Those cameos of friends and enemies of their enemies, who are their friends, why so many and why this way? Is it worth a prize? When will the digital cringe end? Wonder Woman can drive a submarine? The theatrical Aquaman with a high nail polish consumption intended to outshine the pork neck in the acting poverty, but failed. Supposedly, it's made so we laugh at the film, not with it. And did they tell Vin about that?
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I am slowly starting to forget what happened where and who is family or enemy with whom and in what frame of mind we actually parted ways with him/her. It's still dumb, and now it's hideously unfinished. But it has Momoa, a brutally wisecracking, loud, mocking, laughing Momoa, a breath of fresh air in this overblown franchise. Everyone shows up: the dead, the alive, the squabbling, with newcomers Jack Reacher and Captain Marvel + Ratcatcher 2. The action is fiercer and stronger than last time. I'm still enjoying it immensely, but I'm looking forward to the end. There, the paraplegic Torreto will have to cope with a different type of life after waking up from anaesthesia.
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