Directed by:
Alejandro González IñárrituScreenplay:
Guillermo ArriagaCinematography:
Rodrigo PrietoComposer:
Gustavo SantaolallaCast:
Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero, Vanessa Bauche, Humberto Busto, Rosa María Bianchi, Adriana Barraza (more)Plots(1)
Three stories: Octavio is a young aimless loser who lives in a barrio and has an obsessive crush on his sister-in-law, Susana, who is married to Ramiro, an abusive hoodlum. Meanwhile, Daniel, a succesful editor, has ditched his wife and children to live in a dream apartment with Valeria, a shallow and neurotic supermodel. On the other hand, El Chivo, a bitter ex con turned hitman, haunts the life of a pretty young girl with whom he has a secret relationship and gets a commission to kill a wealthy and philandering businessman. These lives and the fates of two dogs get inextricably entangled in the heart of ever-changing, ever violent Mexico City. (Madman Entertainment)
(more)Videos (2)
Reviews (9)
A great film that initially seems like it couldn't be about love at all, but in reality, it's love that drives all the characters into situations that are very tragic for them, or at least for someone else. An incredibly powerful film that, even after years, shows me that those first impressions don't fade but keep repeating. ()
Just like Denmark has Lars Von Trier and Sweden has Lasse Hallström, Mexican cinema also has its number one: Alejandro Gonzalez Iñárritu. He has maintained his directorial style even in Hollywood, and that was the key to his success. But here it bothered me with an excessive running time. The technical execution, on the other hand, it's a blast again. ()
A pretty decent film, a kind of alternative to Pulp Fiction. I'm probably repeating myself a lot, but I can't help it. I agree with what a lot of users have said here, that is a film that builds up for the first hour or so and then its charm, suspense and emotion sinks like the Titanic to the bottom of the sea. It tries to catch its breath at the end, but it really doesn't do it very well. Of the stories, the weakest was probably the middle one with the obnoxious model and the best, as I said, was the first (the dogfight). Decent as a whole in itself, as was the interweaving and continuity of the stories. All in all, if I add and subtract at the end, it comes out to about 70-75%. The missing percentages are for the second story and partly for the third. But either way I recommend this film to watch and think about. ()
A nasty, dirty, violent and depressive film, just as I like them. The plot is not as complex as the director’s second film (21 Grams), but it’s a lot more effective nonetheless. Amores Perros consists of three intertwined stories, each with a completely different atmosphere, which together deliver a holistic and very intense emotional load. Very recommended. ()
I’ve grown suspiciously fond of the type of films where various individual storylines intersect at one point. I enjoyed the film even twenty years after its creation, not even noticing its terrifyingly long runtime. I wasn't bored at all, only my original excitement was replaced by a much more sober approach (well, technically, I was sober even the first time I saw it). ()
Gallery (18)
Photo © Polyfilm
Ads