Plots(1)

Three stories: Octavio is a young aimless loser who lives in a barrio and has an obsessive crush on his sister-in-law, Susana, who is married to Ramiro, an abusive hoodlum. Meanwhile, Daniel, a succesful editor, has ditched his wife and children to live in a dream apartment with Valeria, a shallow and neurotic supermodel. On the other hand, El Chivo, a bitter ex con turned hitman, haunts the life of a pretty young girl with whom he has a secret relationship and gets a commission to kill a wealthy and philandering businessman. These lives and the fates of two dogs get inextricably entangled in the heart of ever-changing, ever violent Mexico City. (Madman Entertainment)

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Reviews (8)

Necrotongue 

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English I’ve grown suspiciously fond of the type of films where various individual storylines intersect at one point. I enjoyed the film even twenty years after its creation, not even noticing its terrifyingly long runtime. I wasn't bored at all, only my original excitement was replaced by a much more sober approach (well, technically, I was sober even the first time I saw it). ()

kaylin 

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English Great film that, at first glance, may seem like something that cannot be about love at all, but in reality, it is love that drives all the heroes into situations that are very tragic for them, or at least for someone else. An incredibly powerful film that even after years shows me that the first impressions of it are not lost, but rather repeated. ()

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J*A*S*M 

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English A nasty, dirty, violent and depressive film, just as I like them. The plot is not as complex as the director’s second film (21 Grams), but it’s a lot more effective nonetheless. Amores Perros consists of three intertwined stories, each with a completely different atmosphere, which together deliver a holistic and very intense emotional load. Very recommended. ()

novoten 

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English I consider the first story to be an example of perfect filmmaking craftsmanship and Inarritu, to me, was a genius while watching it, someone to whom I would confidently entrust any subject because his visual ideas or the alternation of contrasts are absolutely flawless. My enthusiasm faded after the remaining two stories, which are not bad, just not as disturbing or captivating for the viewer's senses as the first one, and rather focus on the gradual psychological development of the characters. Unfortunately, most of the time it is a bit too gradual and almost tedious. ()

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