Directed by:
Shana FesteCinematography:
Andrew DunnCast:
Alex Pettyfer, Gabriella Wilde, Bruce Greenwood, Joely Richardson, Robert Patrick, Rhys Wakefield, Dayo Okeniyi, Emma Catherine Rigby, Anna Enger Ritch (more)VOD (1)
Plots(1)
There is nothing more overpowering, reckless and all-consuming than the rush that accompanies first love... in all of its intensity and obsession, possibility and promise. Alex Pettyfer and Gabriella Wilde star in the story of Jade Butterfield and David Elliot, a privileged girl and a charismatic boy whose instant desire sparks a love affair made only more reckless by parents trying to keep them apart. Although separated by class boundaries, their gravitational pull is undeniable and unstoppable. (Universal Sony Pictures Home Entertainment)
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Reviews (3)
I might have some minor reservations, but overall it's a delightful romance that allowed me to daydream beautifully. I truly believed in the central couple's love here, plus they were both very pleasing to watch. When I take into account the great music, I don't care that I've seen it all before. And even if it's just a new cover of a story told a hundred times before, the resulting film can still have a greater impact than most of its predecessors. It just worked for me. (75%)
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A director with interesting potential. She still needs to make a couple more films and polish her craft a bit, but there are positive signs. The first sentimental and shallow half is not quite the real deal, and it is not because the protagonist looks like he's ten years older than he claims. It is because the dialogues are very drawn out and tedious. It may also be because Westerners express emotions a bit differently (or rather, about ten times more logically and illogically) than we do, so what seems over the top to us will surely be appreciated elsewhere. In the second half, the melodramatic outbursts begin, the family issues emerge, and the excellently written characters of Greenwood and Patrick come to life, their dialogues being some of the best you will see in the film. Which is a paradox when it's supposed to be a romance and the imaginary climax of the film is remorse over the death of a son and a dysfunctional family. It's a pity that it started so slowly, because the character of the cold surgeon is at least worth contemplating in the context of the contours of the real materialistic world vs the idealistic "true love and fuck the rest".
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Nothing more than a completely ordinary romance where two people fall in love with each other. She is an innocent little girl from a middle-class family, he is a handsome man from a lower class. They must overcome obstacles in order to eventually realize that they can overcome them together and live their fairytale, which simply must be beautiful at all costs.
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