The Last Witch Hunter

The Last Witch Hunter is an average fantasy flick, laced through and through with action and all sorts of magic. It benefits in particular from a likeable cast that balances the simplicity of the script, which reeks of cliché. One of a bunch of one-viewing films that neither impresses nor offends. (12/02/2016)

It's a terrible shame that this film plays it safe and the story is incredibly straightforward and very expected. But the world presented here entertained me; it's a nicely crafted B-movie that has characters I personally really like. It's visually interesting, it's got a bit of Constantine about it, but it's also its own thing. You just know right away how it's gonna turn out. You mustn't look for anything big in it. (08/02/2016)

Slow and not-so-furious. The idea itself isn't bad at all, but the story is poor for how serious it is, there are no wisecracks (well, maybe two), there’s surprisingly very little action and not very impressive, unfortunately (the 90 million budget could have been used much better). A pathetic three stars for not suffering while watching it. The film is suitable for a rainy Sunday afternoon for the whole family. Not worth going to the cinema for. Seventh Son was considerably better. 55%. (26/10/2015)

I wasn't expecting much from this, so when I found the beginning to be pretty entertaining, I was very surprised and wondered why it got such a low rating. And then it all became clear during the film. Kaulder is lame, the fights are even more so, and for being only 107 minutes long I thought it might be over after the 70th minute, it was kind of long. I was entertained until about the time Kaulder gets his gnocchi on, but there was nothing more interesting than that. Pretty mediocre, below average action fantasy. (16/01/2016)

A movie with a tree that gummy bears grow on can’t be all bad. Diesel tries to operate outside his three regular personas (Riddick, Toretto, Cage), but still without great success. It doesn’t work very well here. This fantasy is suspiciously reminiscent of something I wanted to see when I was into Conan as a boy. In the end, it’s fairly watchable and makes sense. A bit more work on the screenplay wouldn’t have hurt, but it’s ok. Rose Leslie makes it ten times better. Michael Caine’s line at the end is just cool. Not in the theater, but at home. (31/01/2016)