Directed by:
Terry GilliamCinematography:
Roger PrattComposer:
Paul BuckmasterCast:
Bruce Willis, Madeleine Stowe, Brad Pitt, Christopher Plummer, Jon Seda, David Morse, Bill Raymond, Frank Gorshin, Chuck Jeffreys, Matt Ross (more)VOD (1)
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Cole (Bruce Willis) is sent back in time to save the human race from a deadly virus that has forced mankind into dank underground communities in the future. Along his travels, he encounters a psychiatrist (Madeleine Stowe) and a mental patient, brilliantly portrayed by Brad Pitt, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease. Believing he can obtain a pure virus sample in order to find a cure in the future, he is met with one riddle after another that puts him in a race with time. This sci-fi masterpiece from the genius mind of Terry Gilliam is a modern-day classic. (Universal Sony Pictures Home Entertainment)
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Reviews (10)
Unfortunately I can’t award twelve stars for the 12 Monkeys, but that changes nothing about the fact that this is not only the zenith of Gilliam’s works, but also the best sci-fi movie ever. And therefore is one of the best works of world cinema. The screenplay is flawless to the T and the ending, which you will comprehend only after watching it several times over and the optimism of the elating message (not the obvious one, but the one hidden under the surface), is just unbeatable. And that’s all I intend to write about this picture - if you have already seen it, you know how powerful and what genius these monkeys hold inside them. And if you haven’t, then you’ll understand when you see it.
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Beautiful science fiction that has everything that good science fiction should have. Excellent plot, nice tricks, convincing acting performances (god, this Pitt!!!) and, above all, depth, as is customary with Gilliam. Unlike Brazil, it is very accessible, but not trivial and cheap. Gilliam's manuscript makes this apocalyptic story a riveting and incredibly suggestive spectacle. One more science fiction that could be indelibly written into film history. Does Gilliam have a patent for that?
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For most critics, the film Brazil represents the peak of Gilliam's work, while Twelve Monkeys is considered too mainstream, where Gilliam's creative vision was hindered by strict producer oversight. The truth is that Brazil is indeed a pinnacle work in certain aspects (especially in terms of its visual design), but it is also very unbalanced, narcissistic, and difficult for most viewers to comprehend. On the other hand, Twelve Monkeys is an exceptionally balanced genre film, built upon a strong theme, an intelligent script with a highly emotive plot, and a superbly crafted tragic yet ambiguous final scene. Even a disciplined Gilliam presents his viewers with absurd ideas from his workshop (the punishment chair), Orwellian situations (scientists with gifts above Cole's tortured body), and plenty of clever shots with a sense of composition (Cole's ascent into the abandoned city with wild animals on the ledges of the buildings). The excellent cast is led by Bruce Willis, who delivered top-notch character acting without wrestling holds and punches, unlike in his other films. The crazy Brad Pitt showcased once again that he has a very impressive range as an actor, beyond just a handsome face. We also get the demonic David Morse in a small role. There are no weak performances here. For me, this is the absolute pinnacle of the sci-fi genre. Overall impression: 100%. Excellent work with the time paradox within the genre. Even the very tragic theme of a hero desperately trying to stop a catastrophe is lightened in several scenes with small sarcastic jokes.
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An interesting futuristic view for that time and a nice concept of time travel, but not so impressive today. There are much better pieces in the genre, more action-packed and more nimble concepts and here not much happens in two hours. On the other hand, the main qualities of 12 Monkeys are not "during it", but in what comes "after it" - or rather, after the closing credits. I've never seen a film that didn't have an official interpretation of the ending, it was explained by the filmmaker, but also by the audience, who simply hasn’t agreed on the final version. And that's what I like about this film. Otherwise, though, the main storyline is too talky for me, and even Brad Pitt and Bruce Willis can’t significantly save it, so I'll leave the three-star rating with the comment that the ending will be on my mind for a long time to come. A fun film.
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First and foremost, a thorough script guarantees a quality spectacle. And I dare to say that on the first watch, this film is difficult to understand, and penetrating all the nuances and intricacies of the script can only be achieved on a second or third viewing. It can be said that throughout the the film, we do not know where we stand. There are plenty of deceptive references and supporting characters. All of this is wrapped in Terry Gilliam’s typical visual style and unmistakable signature. I dare not claim that I fully understood this masterpiece, but I can confidently say that there are very few films of this kind, with such a large dose of originality and directorial invention. And when you add excellent performances by Bruce Willis and Madeleine Stowe, the result is nothing short of a masterpiece.
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Gallery (101)
Photo © 1995 Universal Studios
![12 Monkeys - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/872/159872829_3a316c.jpg)
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