Directed by:
Richard CurtisScreenplay:
Richard CurtisCinematography:
John GuleserianComposer:
Nick Laird-ClowesCast:
Domhnall Gleeson, Rachel McAdams, Bill Nighy, Lydia Wilson, Lindsay Duncan, Tom Hollander, Margot Robbie, Will Merrick, Vanessa Kirby, Tom Hughes (more)VOD (4)
Plots(1)
Richard Curtis writes and directs this British comedy about a young man who discovers he can time travel. Following yet another uneventful New Year's Eve Party, 21-year-old Tim (Domhnall Gleeson) learns a life-changing secret from his father (Bill Nighy). It seems that the men in Tim's family possess the unique ability to travel in time by simply entering a dark space, clenching their fists, and imaging the place they want to be. Armed with this knowledge, Tim decides to leave rural Cornwall behind and move to London to become a lawyer, and in the process, find love. All seems to be going well when he meets and falls for the dazzling Mary (Rachel McAdams), using his newfound abilities to help win the day. But when a mishap in the time travelling manoeuvre threatens his future happiness, Tim soon comes to realise that, above all else, it's how you live your life in the present that really matters. (Universal Sony Pictures Home Entertainment)
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Reviews (15)
Richard Curtis has a truly distinctive style, but this time it wasn't all that fun with him. I wish I could give five stars to a film starring my favorite Bill Nighy, but although the filmmakers managed to create a pleasantly relaxing atmosphere. The romantic and touching moments far outbalanced the funny ones, verging on pathos at times, which was a disappointment. What I think the film needed was a quicker pace and a good dose of English humor. I would have added a star or two in that case.
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If it followed the premise of a sci-fi rom-com where the protagonist goes back in time again and again to “get her” throughout, as it looks in the first half hour, About Time would have been a lot more fun. But in the end it’s a little monotonous and an incredibly non-conflicting fairy-tale that doesn’t want to be anything other than pleasant. It’s not my cup of tea, but I can’t deny its feel-good charm.
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Objectively speaking, I could raise about a dozen objections against the film, meaning I could give it an average review, but what can you do? It's one of those films where you don't care about logical lapses and plot contrivances because you are enticed by the dialogue tapped from life and by the romantic storyline polished to perfection without flaw or blemish. After that, you're just left jumping for joy at personal highlights like a woman's choice of dress, and when it comes to the black-clad funeral procession, you raise your glasses to wipe away a tear without feeling bad about it; Richard Curtis creates experiences.
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What at first appeared to be a not particularly breezy, but thanks to the constant hinting that Rachel McAdams might show mammary glands, watchable romance in a genetically engineered Britain where there are hardly any minorities and one doesn't care about the ugly chick (whereas I would have assumed Curtis would have at some point been to England) degenerates into something unreal in the last third. I know that this sphere probably pays for cinema tickets, but the horrible final ode to the petty joys of the middle class of absolutely uninteresting people with whom I understand the viewer is supposed to identify somehow to embody an answer to the question of what a new mother’s discussion forum election spot would look like if Andrej Babiš were still trying to get publicity through it. And it would have been filmed by Renč.
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I already got used to Richard Curtis making great movies with a positive vibe, containing a lot of thoughts worth fighting for. A lot of people recommended About Time to me, and since I like Rachel McAdams, I planned to see the movie for quite some time. And I can tell you, for a long time I did not feel such joy to be alive that I felt after watching this film.
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