Trance

An overcooked start. There is a voiceover, an unreliable narrator, an attractive plot, and expensive art. After twenty minutes, only a hint of the original idea remains, which surprisingly, even by Danny Boyle's standards, fails to reach a sufficiently high level with its piercing visual and thunderous musical accompaniment. I am all for surprising twists or the denial of clichés through lively passion. However, all of this must not happen at the expense of the viewer's engagement. (23/12/2015)

Knock! Knock! Knock! A cute crime movie, cut precisely to suit today’s fashion. It’s just that hypnosis isn’t so central as PR tried to imply and the painting isn’t absolutely what this is about. Sanity, lies, anger, love and hate. Boyle mixed this cocktail following his own traditional recipe and his signature is apparent in almost every shot (the beaker thrown at the camera), maybe the trailers gave away too much. Cassel excellent, Rosario Dawson super smooth and McAvoy masterfully swaps roles and is the inconspicuous puppet master of the entire Trance. Delightful and not completely stupid. Rick Smith supervised the creation of the first-rate music. (14/07/2013)

Boyle is similar to Nolan and Tarantino in that every film is original, yet he still maintains some of his traditional directing finesse. He attacks the audience with opulent minimalist visuals as well as dense psychology. Trance has excellent visual aesthetics, light manipulation, and a contemporary feeling. It captivates with a strong screenplay and the fact that despite the several script spirals and twists towards the end, the film never gets tangled. The plot is clear, well-explained, and makes perfect sense. At the same time, the theme of hypnosis is presented complex enough to fascinate and immerse the viewer, but also concisely enough to not bore someone who doesn't understand it and won’t make any sense to a layman. (19/01/2014)

After a second viewing, I had to go one star lower with my rating, because what I found original at first turned out to be annoying the second time around. I mean the endless series of big reveals that had me going around in circles for so long that it almost felt like having been hypnotized and put on a swing ride. Of the big revelations, the most interesting turned out to be the one delivered by Rosario Dawson. I liked Tuppence Middleton though only in a mini role, and McAvoy's slimy smile still haunts me at night. (15/08/2017)

Okay, it's true that this movie is very convoluted and that I wanted to see it mainly because Rosario Dawson is in it and she really shows a lot. A gorgeous woman. "Trans" is cluttered and something could be cut out, but the rules are clearly set and the truth can be anywhere. It's up to you whether you accept the message of the film or not. And I accept it, especially when the actors are this great. Danny Boyle is once again very brave. (23/10/2013)