Gangster Squad

Shallow popcorn flick that lacks the soul, the atmosphere and that one memorable scene that have always made the gangster genre so attractive and rewarding to viewers. There are many moments, especially the last ten minutes, that were written following the manual "How to make an unwanted parody of a genre quickly and easily." The only thing that keeps it afloat is Josh Brolin’s manly charisma. On the whole, it's as routine and stupid as Zombieland, which I expected from Fleischer, so there's no question of disappointment. And please, don’t give me that “Inspired by a True Story” line. (11/04/2013)

An unpleasantly loud burst bubble, drowning one of the most promising acting ensembles of the season. Here there may be enough style for two movies, but barely enough momentum for ten minutes. Will Beall's script puts clichéd lines in the mouths of its characters, which even names like Ryan Gosling or Josh Brolin struggle to deliver while maintaining any credibility. Should it be relegated to a story of antiheroes on a quest for justice? Perhaps. But I don't mind at all that Gangster Squad is ultimately the most worn-out trash, because that's exactly what attracted me to it. What bothers me is that it is nothing else, and in key plot twists it just rehashes bits and pieces from The Untouchables, Carlito's Way, and Public Enemies. (06/04/2013)

A routine affair, but definitely not a complete disaster. It's surprising that a lot of otherwise excellent and very inventive creators and actors are behind this very average film. I enjoyed the raw fights and the decent gunfights, the ultra-cool Penn and the likeable Brolin, though he is much better on the opposite side of the law, like in American Gangster. It's not nearly as intricate, skillfully written, and technically precise as, for example, Ridley Scott’s film, but it's worth seeing once. Purely average. (31/03/2013)

An even bigger mistake than expecting Gangster Squad to be the new L.A. Confidential is to watch L.A. Confidential two days beforehand. I don't mind the lemonade game of gangsters, which mainly treads on a 'sunny' note because the actors fit the period suits exactly, cigarettes are smoked countless times, and there are plenty of excuses to get the Thompsons to bark. I can accept all that until Fleischer says he'd like to be the new DePalma and switches from funny conversational humor to serious mode, where he fails utterly. In fact, all the action scenes seem to have been shoehorned into the film as an afterthought, only one of the two female characters is anchored in the plot, and the police unit is carried by Brolin's charisma and Gosling's smile. To top it all off, it features a collection of annoying Hollywood clichés. A well-deserved fail. (31/01/2013)

I can't help but feel like whenever Hollywood tackles serious historical films these days, they often miss the mark. Gangster Squad had everything going for it—a killer cast (and I mean seriously great; every actor here gets under your skin, and that’s rare), plus a solid story with the potential to be truly epic. You could feel it. But then they completely overdid the action. It’s like they cranked it up to 11, with endless shootouts where nobody seems to die, and the action just feels chaotic, with no real structure. The scenes are so poorly staged that it’s hard to follow, and honestly, if this crew were really that reckless, they’d have been wiped out in the first few minutes. It’s a huge shame because I was ready for an awesome gangster flick. If it weren’t for the over-the-top action, we might’ve actually gotten one. (28/12/2013)