The Raid

  • USA The Raid: Redemption (more)
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Showcasing some of the best Asian martial-arts choreography of recent years, The Raid follows a special forces team as they launch a daring raid on a rundown Jakarta apartment complex controlled by a ruthless crime lord named Tama Riyadi.
The team’s mission to apprehend Tama and dismantle his criminal empire quickly goes awry when they are discovered by Tama’s henchmen, who seal off the building and trap the officers inside. Amid the chaos, rookie officer Rama emerges as the protagonist. Showcasing remarkable combat skills, he forms uneasy alliances with tenants and confronts Tama’s enforcers, including the fearsome Mad Dog, as the body count rises.
Praised for its innovative approach to martial arts cinema, with its breathtaking choreography and gritty realism, the film has earned acclaim from audiences and critics alike. The Raid is pulse-pounding action and intense character-driven drama, standing as a modern classic in the genre and solidifying Gareth Evans’ reputation as a master of action filmmaking. (Umbrella Entertainment)

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Reviews (11)

kaylin 

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English I must say, I was surprised by how much is still possible to do in an action film. This is really a slaughterfest. One apartment building and a solid group of people who want to kick some ass. There's shooting going on, but primarily hands and feet are being used. These are scenes that will absolutely get you, and you'll be surprised by how gripping they are. You don't see this type of carnage every day. It's a brawl from start to finish, and moreover, it looks incredibly realistic. ()

lamps 

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English This is by no means a perfect film, the fight choreography, although shot in an absolutely breathtaking way, starts to get a bit tiring towards the end and some scenes are awfully exaggerated and contrived. But in spite of that, or maybe because of it, this is, I dare say, the best and most honest action flick ever made (The Rock is just such a weak concoction in comparison). I believe that even Chuck Norris would have to take his hands out of his pockets this time to get it all done in 100 minutes :-D ()

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Othello 

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English That long-haired walking holocaust especially, who gives soda to the main characters even with a fluorescent light down his throat, is really growing on me, and the fact that the animals are really, really badly hurting each other and it looks so real that I'm still not sure there weren't people dying in the filming, gives truth to the claim that films kicked off with a convo like "Here’s a building and a million bucks, do what you want." "Okay." might be the real thing. ()

D.Moore 

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English It's as if Jackie Chan had swapped humour for brutality and in a film directed by John Woo, who got tired of guns. I enjoy straightforward action movies and The Raid is a perfect example of how they should look like. The film gets right down to business, everything feels real, honest, there's no time for big plot twists, it's a completely different, blood-soaked display of acrobatics that takes your breath away. In addition, the cramped setting of corridors, staircases and small apartments invites to invent more and more ways to destroy the hordes of villains, who sometimes jump from everywhere in the style of the undead from some modern zombie flick. I'd seen the films it has inspired (Dredd, The Princess, maybe even John Wick) before The Raid, but I didn't mind it at all. ()

agentmiky 

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English A film that has become a cult classic over the years. When thinking about the best in the action genre of the 21st century, The Raid: Redemption is the first to come to mind. I never would have expected this from an Indonesian film, but it's true. Americans should take notes from this approach. Perhaps a big part of this is Iko Uwais, whose charismatic presence convinced me of his role, though the same can be said for the others, particularly "Mad Dog" played by Yayan Ruhian, who will remain etched in my memory for a long time. It’s incredible how a simple premise (a building overrun by thugs) can be so engaging; normally, I might criticize this, but in this case, it surprisingly didn’t bother me. The film relies heavily on hand-to-hand combat; sure, there are shootouts, but machetes, various sharp objects of all kinds, and bare hands take center stage. Such choreography is rare elsewhere; the camera maintains a steady perspective, so you truly appreciate the action on screen (unlike much of the Western competition, where everything shakes, and you get nothing from it). The R rating is worth noting; it's not for the faint of heart. The ending is also well-built up. I have no complaints. I give it 91%. ()

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