Directed by:
Miloš FormanCinematography:
Miroslav OndříčekCast:
F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice, Simon Callow, Christine Ebersole, Jeffrey Jones, Charles Kay, Kenneth McMillan, Kenny Baker (more)VOD (1)
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Wolfgang Amadeus Mozart (Tom Hulce) is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri (F. Murray Abraham). Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men. (Warner Bros. AU)
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Reviews (9)
It can essentially be said that the filming of Amadeus by Western production had a similar significance for Prague in the first half of the 80s as the production of The Lord of the Rings in New Zealand two decades later. Amadeus is not only a psychological study of the fateful clash of an exceptionally gifted individual with an average-thinking environment, but also the beauty of Prague's palaces, costumes from Barrandov film studio's collection, and the excellent work of Barrandov studio employees. After years of isolation from normalization, the Czech film world intersected with the world. Witnesses recall the atmosphere during filming in superlatives. Music also played a significant role in the film. With Mozart's help, Forman was able to convey to today's audience the experience of top classical music and the process of creating a musical work. A film about classical music and its creators, which is not intended for a narrowly defined group of viewers, is an art in and of itself. Forman lived up to his reputation as a creator of great human dramas, showing us heroes with controversial natures. As mentioned multiple times, the story is not based on historical facts. If anyone from Mozart's circle contributed to his tragic end, it was his young wife, a person perhaps even less responsible than the great creator himself. Overall impression: 95%.
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Lo and behold. America provided Miloš Forman with the honor of filming the story of probably the most famous composer of all times, and he made up his mind that he wouldn’t do it anywhere else but in his homeland. That’s how it came to be that the film takes place on the streets of Prague or in the Estates Theatre in the middle of the worst times of the communist oppression in the 1980s. Hats off. I, however, naturally mustn’t forget about the fact that everything about this movie is perfect. Perfect! I’m curious – how many movies do you know about which you could say the same?
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An incredibly impressive film about a genius whom God favored, but the world did not. About mediocrity that couldn't accept its place. About an emperor with no ear for music. About Amadeus, Salieri, Constanza. Thanks to the extended version, Amadeus is truly a well-crafted and timeless piece of work. Watching it in its entirety is a bit tiring and takes away your energy for the rest of the day, but it is definitely worth it to the audience right to the very last minute.
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I finally watched this much-praised film, and I can only say that it's praised entirely rightly. Hulce and Abraham created beautiful, vivid characters and presented the dramatic story in a way that will simply captivate you. The set design is magnificent, and even if you're not a fan of opera, seeing only fragments of it will still leave you thrilled, just as seeing how a relatively unknown actor back then managed to portray a genius. You'll believe in him the entire time.
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It's good, but it pales in comparison to Whom the Gods Love or the birth of Viennese opera through the eyes of one demanding night. It's important to remember that this is an adaptation of a play, not a serious biography. Peter Shaffer (and ultimately Miloš Forman) preferred a dramatic arc over anything else. It's still a great experience even after years, though the impact on the Mozart renaissance is somewhat debatable.
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