Directed by:
Morten TyldumCinematography:
John Andreas AndersenCast:
Aksel Hennie, Synnøve Macody Lund, Nikolaj Coster-Waldau, Eivind Sander, Julie R. Ølgaard, Kyrre Haugen Sydness, Valentina Alexeeva, Reidar Sørensen (more)Plots(1)
Headhunters is a thriller about Roger Brown, Norway´s most successful headhunter. The unscrupulous Brown leads a life of excess and finances his extravagance by way of dangerous art thefts. When he meets the Dutchman Clas Greve he sees the chance to become financially independent and starts planning his biggest hit ever. But soon he runs into trouble – and it's not financial problems that are threatening to bring him down this time. (Rialto Distribution)
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Reviews (12)
I enjoyed this film. It's a crime thriller with a touch of drama and pitch-black comedy, and there's even a romantic element. I’m a fan of Jo Nesbo, especially the series featuring Harry Hole. Having read “Headhunters,” I’m surprised to say I liked the film more than the book. The main "hero" was extremely unlikable from the start, my sympathy grew as he was faced with more and more shit (literally). Nikolaj Coster-Waldau knows how to portray a bad guy. He has done it many times before and pulled it off again. This is the third time I’ve seen the film. I knew how the story would develop and how it would end, and I still loved every minute of it. Plus, I have to appreciate the lesson to be taken away from this film: when traveling on public transport, always sit between two obese passengers – it’s definitely worth the temporary discomfort.
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After watching it, I’m somewhere between three and four stars. Sure, the unique Nordic style is undeniable, and I enjoyed how the film’s darkly comedic tone felt like it could have been handled by the Coen brothers (I haven’t read Nesbø's book). The acting was absolutely top-notch; the lead duo, Aksel Hennie and Nikolaj Coster-Waldau, fully embraced their roles, and I can’t find any faults there. As for the plot, the creators had it meticulously planned out until about halfway through, with everything on screen not being predictable but rather revealing the cards of both sides flawlessly. However, the final third felt a bit over the top. As many reviewers mention, there were a lot of coincidences, and it seemed like the writers were paving the way to the final catharsis... which was good, though. So, it’s a well-made film, but it’s missing that final edge to reach the very top. I give it a solid 7.5/10.
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Whatever you're expecting… It won’t happen. A genre chameleon about a stunted Walken which proves that Joe Nesbø works well on the film screen despite the plotholes (the age of the corpse one can forgive with half-closed eyes, let's say, but the hospital staff or the one who finds Roger - is it possible that no one would get in touch or ask them after the case was publicized?).
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The difference between what I expected and what I got is too huge. Headhunters is a sort of brutal Nordic pulp, properly cold, chilling, and balanced with a reasonable amount of irony and detachment. The chilling moments don't quite measure up to the best of Fincher, the screenwriting twist where "it all goes pear-shaped" is a worthy match for the Coens, and the proper butchery makes one think of earlier equally proper old-school American pieces. With all the charming melancholy of Scandinavia and a not entirely predictable conclusion, Headhunters can comfortably endeavor for foreign film status for 2011. I would sincerely wish them that, although I "honestly" doubt they’ll even get a nomination. I'd love to be wrong, because the inventiveness in this is truly immense.
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It’s been long since two dead fat people were so funny… A perfect Nordic thriller, and, against expectations, it’s not serious or depressing, but a brisk and entertaining film that knows how to make you feel tension, surprise and fun. PS: Plus points for giving a certain animal species the end it deserved (#cantavoidphobia).
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