Pirates of the Caribbean: Dead Men Tell No Tales
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Pirates of the Caribbean: Dead Men Tell No Tales (more)
Screenplay:
Jeff NathansonCinematography:
Paul CameronComposer:
Geoff ZanelliCast:
Johnny Depp, Javier Bardem, Brenton Thwaites, Kaya Scodelario, Kevin McNally, Golshifteh Farahani, David Wenham, Stephen Graham, Geoffrey Rush, Angus Barnett (more)VOD (3)
Plots(1)
Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying Captain Salazar, escape from the Devil's Triangle, determined to kill every pirate at sea... including him. Captain Jack's only hope of survival lies in seeking out the legendary Trident of Poseidon, a powerful artifact that bestows upon its possessor total control over the seas. (official distributor synopsis)
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Reviews (13)
It's better than the previous film, but not by much. The gratifying difference is mainly that this time the creators really tried to come up with interesting and unique ideas, but unfortunately, they forgot about the story. They almost completely forgot about it. On the one hand, there is a great guillotine scene in the fifth Pirates, which feels like it came from Gore Verbinski's mind, a fine finale on an anchor and a few irresistible black-humor scenes (being elected captain, for example). On the other hand, there is also a lot of overly simple humor (tacky double-meanings as if from contemporary domestic comedies), which is unnecessarily predictable (you always know that a joke is coming), a couple of all-too-surprising twists for which I would most like to stretch someone on the rack, and for most of the film, Jack Sparrow's “humor" is supposed to consist of him being drunk like a dog, and therefore he behaves even stranger than normally. I liked Javier Bardem's villain, the central couple not so much... Geoffrey Rush didn't get much space, but he did his best. The music was desperately inconspicuous.
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The Pirates of the Caribbean films were never clever but they were funny, entertaining, and catchy. In my opinion, with the fifth film of the series, they reached a stage of rotting where it hardly affects me anymore. The film doesn't even offend me and just evokes indifference and boredom. Perhaps I'm slightly concerned about the IQ of the target audience. If this kind of silly infantile entertainment can justify its existence and fill up cash registers, society is not heading toward a brighter future... Overall impression: 20% for the set design and special effects.
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After so many times, the characters have lost some of their zest and are no longer than interesting. Barbossa is still scowling, Sparrow is still doing the same crap, and maybe only one or two scenes are really funny. And to make sure it's not just sterile grey and a variation on the same scripted tripe a hundred times over, new faces and new plot pieces are added to the puzzle. The creators have certainly made a very bold effort to move forward, and the phenomenal stunts this time are well complemented by a fast pace and very clear action. It's not nearly as pompous and bombastic as the madcap previous two episodes, but it's still, not and probably never will be as balanced and inventive as the first one was. The pirates are dead and stale stuff even if Depp was walking on his head.
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I wasn't expecting anything, I got a very nice show, although it may not look like it at first. For the first forty-five minutes, the film tries to recycle Jack Sparrow and his jokes, which unfortunately doesn't really work. The character doesn't really surprise with much of anything anymore, and the new faces don't seem very interesting at first. But then he sails out to sea and directors Joachim Rønning and Espen Sandberg seem to have decided to put all the hijinks behind them and push for a much more adventurous atmosphere. And they succeed. The huge budget shows and Salazar's Revenge is a big film that paces incredibly well. At the same time, the emotions work within the adventure genre and Kaya Scodelario is very fine as the new female lead. Which is also nice considering newcomer Brenton Thwaites doesn't impress much and even Javier Bardem deserves a slightly more interesting role. Of course, for all the adventurous goofiness and pacing, you'll probably address these shortcomings after the film; there really won't be time for that during the film. A proper Bruckheimer blockbuster and the best film of the franchise after the first one.
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A season of long and infinitely stupid movies. In the first half hour, there are a few candid ideas, then it's just two types of misery porn: you can watch mischievously as the screenwriters have a hard time with it and try to connect the plot so that it makes sense at least a little bit, and you can watch Depp even more mischievously, who clearly finds more of himself than he would like in the role of a bankrupt pirate feeding on self-deception. Joachim Rønning / Espen Sandberg do a solid job, but this ship leaks more than the Kon-Tiki.
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