Directed by:
Steve McQueenCinematography:
Sean BobbittComposer:
Harry EscottCast:
Michael Fassbender, Carey Mulligan, James Badge Dale, Nicole Beharie, Jennifer Butler, Lucy Walters, Elizabeth Masucci, Alex Manette, Hannah Ware (more)VOD (1)
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Brandon (Michael Fassbender) is a young successful thirty-something living comfortably in his apartment in New York. As a distraction from day-to-day cubicle life, he seduces women, juggling a string of doomed romances and one-night stands. The tightly controlled rhythm of Brandon’s life begins to collapse, however, when his wayward, unruly sister Sissy (Carey Mulligan) arrives for an unannounced visit. Her disruptive presence in his life propels Brandon further into New York’s dark underbelly as he tries to escape her need for connection and the memories she stands for. (Transmission Films)
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Reviews (11)
Emotional deprivation, bandaged in vain with more than just casual sex, can never do anyone any good. I liked that Steve McQueen didn't mess around with it – he just took a knife, stuck it in the flesh, and gouged and gouged until the wound was so gaping it could hardly be healed. I am referring now to the overall feeling of the film and the really very "nice" fate of the main character. An attitude and a world in which love and moral principles have completely disappeared, leaving only something dubiously empty – physically satisfying for the first few tries, but utterly unable to quench the desperate thirst for mental satisfaction. In some ways, this is also how you could characterize the group of (a)socials (I deliberately did not say (a)social group) that Steve McQueen targets in his second film. Michael Fassbender is convincing and his acting is really excellent. Yet rather than being an "intimate and personal look at the life of a very sexually frustrated man", the whole film struck me as a parallel to Western, consumerist society that simply doesn't know what to do, so it seeks out all sorts of hobbies. Of course, it will be slightly more complicated in the end (I wouldn’t have it any other way, otherwise they wouldn't make dramas, only comedies :)) My point is more to suggest that even an ordinary bumpkin duo with below average incomes can be many times happier and more mentally balanced than many corporate elites. When you have money and a lean little apartment with an even leaner view in one of the busiest cities in the world, you just think about how and what way to escape boredom:)
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My low rating is not related to the shock of sexually explicit scenes or the lack of even minimal identification with the main character. It stems from the fact that Brandon was uninteresting to me from the beginning and I quickly felt from the film an artificially created situation and a superficial story. Simply put, I was bored and found the movie detached. Overall impression: 25%.
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Although McQueen holds tremendous directorial promise for the future, he'd probably stumble a bit in this case if it wasn’t for Fassbender. This film, like few others, focuses on the psychology and nature of the individual, which essentially dictates the entire atmosphere and reflect all the moods and thoughts that surround McQueen's sexual experiment. And Fassbender sacrifices so much for his extremely difficult role that in some scenes he’s left standing, giving a performance worthy of at least an Oscar nomination. Some of the shots attacking the boundaries of porn are perhaps too violent, and the viewer should be prepared for a number of almost lyrical (I really can't think of another term) passages, but otherwise what we have here is a perfectly executed intimate drama that explores eroticism and passion from the opposite point of view, unfortunately often present in life. If there's ever going to be an adaptation of “50 Shades of Grey”, it should be a job only for McQueen. :) 85%
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Shame is a very realistic, at times almost salacious, probe into the life of a man who is obsessed with sex, unashamed of it, but circumstances demand that he re-evaluate his current (and really empty) life. The performances are breathtaking, with both Michael Fassbender and Carey Mulligan tackling their roles with bravado and verve. While the story isn't exactly perfect (at least for me), it is often chilling, mainly because of the level of authenticity. I must also commend Harry Escott's seemingly bland but all the more depressing score. All in all, a film that, while it didn't blow me away or put me on my ass (as many have), is still worth a watch.
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Whether you wake up alone in the morning, next to a steady partner, or with someone different every day, Shame attacks the core of each of us. Brandon's behavior may start out as just a casual walk with various sexual undertones, but the last half hour takes all the psychological weight and throws it into the viewer's lap. The mental pain, which increasingly radiates from Michael Fassbender's eyes, didn't repel me or destroy me, but instead incredibly fascinated me. A film that only in the last seconds definitively proves how complex and deep it is.
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