Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan

The beginning and ending in Kazakhstan are great, but everything in between is rubbish that touches on simmering social issues, but through an unimaginative plot structure and silly, unfunny humor. And it seems that no one even attempted to employ the “hidden camera” effect that made the original Borat great. (27/10/2020)

In some ways, Borat has a much harder time than he did 14 years ago, because what was a marginal excess back then is normcore today. But Sasha can get tough, and even though he recycles essential jokes, they are still great and they still work even in partial improvisation. There are a few instant classics (invasion of the Republican congress, a menstrual dance, a synagogue, a concert and, above all, Rudi's incredible anal sex), and the introduction and conclusion have a wonderful cadence, and Maria Bakalova is a great side-chick, although the finished family storyline is definitely a weakness. For me, Borat remains one of the few completely free forms of satirical commentary on the present, in which the Kazakh redneck, along with a collection of highly misogynistic, anti-Semitic and racist views, acts as a gentle caress of the skin. The world has turned to shit, and people like Cohen protect what is left of common sense. (26/10/2020)

I definitely appreciate about half a dozen of the film’s truly funny and imaginative gags and scenes, but otherwise it's quite weak, especially compared to the excellent, first Borat. Confrontations with "unsuspecting" Americans (who are surprisingly resigned this time around and put up with everything) are unfortunately dull, sometimes giving the impression of artificial staging and especially the desperate need to involve them in a poorly directed, convulsive and unfortunately broken plot about the relationship between a father and his daughter. As long as Cohen is provoking people while wearing bizarre costumes, the film works, but as soon as the scripted actions take place, or if anyone else is on the screen, the film immediately falls off the rails. The film only has sporadic quality satire and is otherwise mostly a relatively standard comedy with borderline humor and plenty of dead spots. (02/11/2020)

Borat isn't exactly a comedy where you laugh from start to finish, but Sacha Baron Cohen breaks boundaries and does what probably no one else would dare to do, and for that alone I'll give it a generous rating. Towards the end the film ran out of breath, but a couple of scenes were legendary (the toilet scene with the baby, or the current covid-19 issue). I also liked the final twist, which was quite unexpected. Story****, Action>No, Humor****, Violence>No, Entertainment****, Music***, Visual***, Atmosphere**, Suspense*. 7/10. (27/10/2020)

It's wild to think it's been 15 years since the first Borat movie, but people definitely haven't forgotten. In this follow-up, everyone in America recognizes Borat, so Sacha Baron Cohen has to get creative, constantly disguising himself in ways that are not only hilarious but also lead to those unbelievable, cringe-worthy moments you can't script. Borat remains one of the only characters in the world who can openly mock Americans, and they pay him for it. Sacha knows exactly what he's doing, and he's still doing it brilliantly. (20/03/2021)