Directed by:
John HillcoatScreenplay:
Nick CaveCinematography:
Benoît DelhommeCast:
Tom Hardy, Shia LaBeouf, Jason Clarke, Guy Pearce, Jessica Chastain, Mia Wasikowska, Dane DeHaan, Chris McGarry, Tim Tolin, Gary Oldman, Lew Temple (more)VOD (1)
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This family saga follows the Bondurants, bootlegging brothers, runnin’ stills, runnin’ loads, and runnin’ from the law in Depression-era Virginia. The story follows the experience of the youngest Bondurant, Jack (Shia LaBeouf), and his family’s moonshine enterprise supplies the action in a plot that evokes the culture of distilling and distributing white lightning. To optimistic Jack, bootlegging is both a bond to his older brothers, Forrest and Howard and a means to make cash to impress a girl. Forrest, by contrast, is taciturn and suspicious: the world is violent and he meets it on that ground. Tender of the stills and imbiber from the same, burly Howard is always ready to take on the Bondurants’ enemies, corrupt law officers. (Roadshow Entertainment)
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This is what I was expecting from Michael Mann’s Public Enemies and I was disappointed. John Hillcoat and Nick Cave and a bunch of littleknown actors created a gangster film from the era of prohibition, where the goal is to portray the characters and their stories, rather than visual epicness (on the contrary, the visuals are rather dull and faded, for some incomprehensible reasons). A super bad villain, blood and brutality, friendship, brotherhood, black humor, feminine beauty and tenderness, and a final massacre. All of this blended together to create 100%-pure genre entertainment of a distinctive character. I vacillated between four and five stars, finally settling on five thanks to the festival atmosphere. [KVIFF]
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Three and a half stars. If the script had cared as much about the third (and equally interesting) brother as it did about Jack and Forrest, if Gary Oldman had been given more space, and if the incredibly slimy Guy Pearce hadn't been a simple comic-book caricature but rather a believable villain, it would have been even better. But the atmosphere is very pleasant and, thanks to the music, I am rounding up.
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Brainless, plotless, gutless. A flat gangster film for beginners, which is the same as counterfeit whiskey, has all the necessary ingredients, but its taste lacks any of the sophistication of the original. If some people are satisfied with Hardy with a single grimace, Pearce acting on the verge of tolerability and LaBeouf the same as always, then by all means. I expect more from a prohibition gangster film than the familiar sentimental macho poses...
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Do you love Prohibition? Okay, then. Are you ready for some real bloody carnage? Okay, then. Are you interested in something more than just a bloody slaughter? Then you're in the wrong place. Of course, for those interested in a more comprehensive look at Prohibition, I recommend the series Boardwalk Empire.
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It is excellently mixed both in terms of characters and style, as well as audiovisual composition. It is clear from the very beginning that it will not be a technically inventive and sophisticated film, but rather a slightly intimate and twisted ride that, in some aspects, reminds of Tarantino in the violence, the antagonist and the dialogues. However, it is a classic, linearly told gangster story about friendship and love during the Prohibition era. Some things may not work as they should or are a bit of a safe bet (the musical score, shootouts where we wouldn't expect them, the final carnage). But that the screenplay is unpredictable, you don’t know what will happen in 10 minutes, and this tells me that this thing certainly deserves high ratings and recognition. It is difficult within the genre to create something original based solely on internal, non-technical attributes of a film. At least partially, they have succeeded here.
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