True Grit

True Perfection is not achieved, because instead of redefining a genre (see No Country for Old Men), Joel and Ethan Coen rely heavily on certainty, but during the final credits, the true western force truly hit me. The biggest acting merits undoubtedly belong to Jeff Bridges, whose casually loose and uncompromisingly tough Rooster dominates, while the occasionally slightly dull Hailee Steinfeld is a surprising disappointment. I had some minor issues with the unbalanced pace of the film for quite a while, but the final half-hour saves everything. Minute by minute, the main antagonist's arrival brings tension and emotion, without a shortage of tension for even a second, not to mention the flawless finish. In retrospect, it becomes clear that some plot twists were overly evident, but despite that, I can't be upset with the film thanks to its straightforwardness and sincerity. (28/01/2011)

The Coens are good storytellers and true lovers of film as a craft, you can feel it from every single frame. Westerns are tricky because it's a different era and it's not what it used to be. Today's audiences want to see more explosive Transformers rather than legends of the Wild West. But the directors have approached it in a relatively modern way, with a significant dose of brutality, spiced up with plenty of tomato ketchup. The grumpy Bridges is excellent, Hailee Steinfeld in the lead child role is absolutely charming, as well as Barry Pepper's rotten teeth. A film without compromises and classic western grit. On par, that's the right word that this piece evokes for me. (09/07/2011)

One great piece of Western poetry smelling of gunpowder, beans and tears. The film, which is perhaps most reminiscent of No Country for Old Men in Coens' pedigree, but with its humility towards genre conventions and absolutely brilliant work with the central triangle, creates a very pleasant and warm place of nostalgia and melancholy for the old dusty times of heroism. (15/02/2011)

Maybe I need to apologize to the Coens or something. I saw True Grit in the movie theatre some time ago, wasn't too impressed, gave it three stars, praised the actors, Deakins and Burwell, complained about the lack of originality, that it was not in the Coens’ style, and the weird epilogue... That was it. But today I watched the DVD, and the complaints are almost gone. I don't know why that is. Maybe I already knew what I was getting into beforehand, and I wasn't expecting what I was expecting before the movie theatre screening, so I enjoyed myself. True Grit suddenly had great momentum and, in addition to the "execution", "hanged man", "Indian children" and "dentist" scenes (the latter especially), I was suddenly appreciating everything in between. Suddenly I found myself smiling for two hours, and at the end I was moved like a little boy. Just that epilogue, though... (22/09/2011)

A meaningful remake. A tribute to the original from the Coen brothers, but also they realize the mistakes of the original and certainly do not repeat them. They avoided a long introduction, and got rid of the landscape backdrops and the overall naivety. A dusty, tough atmosphere reigns, where harsh words fly from all angles. The Coens put their money on the characters, which turned out to be the right choice because, unlike the original, they gave them some depth (Wayne was just Wayne with a gun belt, while Bridges is actually Cogburn, and it’s the same with everybody else) and none were sidelined. This makes emotions important, while in the first version they were rather absent. And despite the outstanding performances of all those badass macho types, it is fourteen year-old Hailee Steinfeld who steals the movie (and who has the biggest balls). (01/01/2011)