Directed by:
John Erick DowdleScreenplay:
Brian NelsonCinematography:
Tak FujimotoComposer:
Fernando VelázquezCast:
Chris Messina, Logan Marshall-Green, Jenny O'Hara, Bojana Novakovic, Bokeem Woodbine, Geoffrey Arend, Jacob Vargas, Matt Craven, Caroline Dhavernas (more)VOD (1)
Plots(1)
Five strangers in Philadelphia begin their day with the most commonplace of routines. They walk into an office tower and enter an elevator. As they convene into this single place, they are forced to share a confined space with strangers. Nobody acknowledges anybody else. They’ll only be together for a few moments. But what appears to be a random occurrence is anything but coincidental when the car becomes stuck. Fate has come calling. Today these strangers will have their secrets revealed, and face a reckoning for their transgressions.
Slowly, methodically, their situation turns from one of mere annoyance to sheer helplessness and abject terror. Terrible things begin to happen to each of them, one by one, and suspicion shifts as to who among the five is making it all happen…until they learn the unspeakable truth: one of them is the Devil himself. As those on the outside try in vain to free them, the remaining passengers realize that the only way to survive is to confront the very wickedness that has led them to today. (official distributor synopsis)
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Reviews (10)
Precise direction and a really fast script with lots of ideas and flashy stunts that elevate this horror B-movie above many of its clichéd ghostly brethren. The atmosphere is not very chilling, but it’s enough to keep your attention, and the actors are decent and convincing to the extent of their possibilities. And the final twist, which I was increasingly curious about as time went on and I found out more and more, was delivered quite sensibly and did not disrupt the carefully constructed story based on one simple central idea, which, by the way, was so well delivered that it provided me with an (un)enjoyable and unrelenting spectacle.
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A sympathetic genre film that doesn't quite utilize its idea right, but it works a treat in a darkened movie theater with excellent sound. The question of "Who could it be...?" will probably end up being the right guess for a lot of people, but given the runtime, it works quite well, although the camera spends a lot of time flying around the building rather than in the incriminating elevator. The ending is questionable, but it's still based on a simple story... and Shyamalan's head. Regardless, Dowdle has talent.
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A likeable, if disposable, film with great technical aspects (Velázquez's music in particular is really excellent) and little-known actors who were very good. If it wasn't for the devil specifically, I would have called it a thriller rather than a horror film - it was suspenseful, but it didn't scare me and I wasn't afraid... The "Lights out - lights on - someone's dead" scenes reminded me of an Agatha Christie - Monty Python detective sketch.
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Devil isn't hurting for tension, the question marks also pile up successfully, but it's still difficult to quiet that little voice in your head that says that everything could have been much better. The unappealing characters may be intentional; the disappointment with the climax definitely not. Suddenly, there are a surprising plethora of logical inconsistencies, and what was supposed to be a nerve-wracking thriller turns into only a mysterious one-off film.
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Devil certainly does not lack a dark and mysterious atmosphere, which grows thicker and thicker throughout the film. On the other hand, however, I felt that much more could have been made of it. It could (or should) have been more gripping and intricate - then I might have considered a higher rating. I thought the five were well chosen and the misfits complemented each other well. All in all, a pretty good horror thriller that is shrouded in some mystery, but it's nothing memorable.
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Gallery (57)
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