Directed by:
David FincherScreenplay:
Jim UhlsCinematography:
Jeff CronenwethComposer:
The Dust BrothersCast:
Edward Norton, Brad Pitt, Helena Bonham Carter, Meat Loaf, Jared Leto, Zach Grenier, Holt McCallany, Eion Bailey, Richmond Arquette, David Andrews (more)Plots(1)
A ticking time-bomb insomniac (Edward Norton) and a slippery soap salesman (Brad Pitt) channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground 'fight clubs' forming in very town, until a sensuous eccentric (Helena Bonham Carter) gets in the way and ignites an out-of-control spiral towards oblivion. The New York times raved that Fight Club 'just might require another viewing'. Heres your chance. Brace yourself. (20th Century Fox AU)
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Reviews (11)
The genius directing by David Fincher plays the main role in Fight Club, being able to keep up with the anarchically crazy literary manifestation by Palahniuk against the current lifestyle of western society. Someone else who contributed a lot toward the excellent result was Jim Uhls, who adapted the book into a screenplay that could be used to make a movie. Unarguably, the book is a stronger experience, but the movie also has much to offer, thanks to the actors, the technical side and, primarily, Fincher’s playfulness. On the other hand, the original book isn’t one of the best things ever to have trickled out of Palahniuk’s sick mind.
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At the age of eighteen, when I was angry at the system and I liked the Doors (the band) and Pulp Fiction, Fight Club would have been the movie of my life. But today, I don’t think I could be a movie star even if I really wanted to and did everything necessary to achieve that. And I've learned to get by in the system. Which is sufficient reason for me to think of this movie as just very spectacularly filmed bullshit.
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David Fincher has done it again, and after Se7en he delivers a film that stands a notch higher in my book. The star trio of Edward Norton, Brad Pitt and Elena Bonham Carter were convincing and made the most of their performances. A great premise that looks ordinary at first sight (because you can find fights in every other American film), but when you delve deeper (this film is brimming with really strong psychological potential), something original emerges (a real mind-fuck). The best part is of course the final twist (Fincher got me here). The film may not be one of my favourites (I may downgrade to 4* in time) , but it will still be in my head for a while.
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Cult. Technically without hesitation (as it’s typical with Fincher), staying always one step ahead of the viewer, and always fun, original and solid. Maybe you’ll guess the twist, but even knowing it doesn’t affect the amazement at the ingenious deconstruction of the film space and the interpretive ambiguity. An excellent Norton and an equally good and inimitably cool Pitt. It’s impossible not to break the first rule – you don’t speak about Fight Club. 95%
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David Fincher demonstrates an incredible mastery not only in how well-crafted the entire story is, but especially in how it is filmed. The fact that the acting performances are stunning is expected, but what stands out is how film techniques are utilized: various camera swoops, the insertion of seemingly nonsensical flashes, and a mosaic of dreams and reality. David Fincher is the king of dark psychological thrillers, and he proves it with essentially every one of his films.
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