Buried

Buried is surprising in that it’s not an indie festival flick, but a mainstream movie. Some viewers may consider that to be a drawback, but for me, the film’s ability to captivate and move the masses with a single actor in such a small place is its greatest asset. It thus comes closest to Joel Schumacher’s Phone Booth, in which the desperate protagonist squirms in an equally confined space, though standing upright and with a better view:-). Buried is superbly written, filmed and acted, with an ending that delivers an uncompromising knock-out blow. (06/12/2011)

The male breed must be in deep trouble if even someone like Ryan Reynolds who can boast the title of Most Attractive Man in the World 2010 isn’t able to deal with a situation that members of the gentler sex can get out of blindfold (Uma) and (Noomi). And although overall he does this in an entertaining and appealing way, I can’t help feeling that this movie could have been a little shorter. (10/01/2011)

The equipment from which MacGyver would make a mining drill, an air supply that exceeds the physical limit of volume and a phone signal that would make a regular operator pay in gold are compensated by an unpredictable plot and an excellent Ryan Reynolds. What is most surprising is that the director squeezes the original concept throughout the entire runtime, without any significant slump or climax. Rodrigo Cortés is a concept for the future, and not just for those opening "Hitchcock credits." 4 ½. (30/12/2010)

I'm sad to say that this claustrophobic spectacle didn't impress me at all. I acknowledge that the screenplay writer and director achieve maximum results with minimal space and resources to keep the viewer's attention, but it's still a very relative success. What matters to me is that I can't believe in the film. Granted, with other genres, I don't concern myself as thoroughly with the logic of what I see, and I'm not strict in my assessment because otherwise, I wouldn't enjoy them at all. However, the fact that this thriller is based on nonsense should be easily uncovered even by an elementary school student. Overall impression: 40%. (21/03/2015)

Logic takes a beating in a much harsher way than I'm used to in the thriller genre, and everything relies solely on Ryan Reynolds. He delivers a performance as likable as usual, but unfortunately he doesn't have, nor could he have, the ability to carry the whole film on the surface of a single coffin, even with enough oxygen and signal. The salvation of this good but poorly executed concept is the ending, which, despite my slight apathy towards the protagonist's actions, stretched me to the brink of breaking. (10/01/2011)