Directed by:
Rodrigo CortésScreenplay:
Chris SparlingCinematography:
Eduard GrauComposer:
Víctor ReyesCast:
Ryan Reynolds, Stephen Tobolowsky, Samantha Mathis, Ivana Miño, Erik Palladino, José Luis García Pérez, Anne Lockhart, Tess Harper, Kali Rocha (more)VOD (1)
Plots(1)
Paul Conroy (Ryan Reynolds) is not ready to die and when he wakes up six feet underground in a wooden coffin with only a mobile phone and lighter time is not on his side. Buried alive with no idea of who put him there or why? Life for Paul becomes a hellish struggle for survival. Poor reception, a rapidly draining battery and a dwindling oxygen supply are his worst enemies in a tightly confined race against time: Paul has only 90 minutes to be rescued before his worst nightmare comes true. (Icon Film Distribution)
(more)Videos (3)
Reviews (11)
The equipment from which MacGyver would make a mining drill, an air supply that exceeds the physical limit of volume and a phone signal that would make a regular operator pay in gold are compensated by an unpredictable plot and an excellent Ryan Reynolds. What is most surprising is that the director squeezes the original concept throughout the entire runtime, without any significant slump or climax. Rodrigo Cortés is a concept for the future, and not just for those opening "Hitchcock credits." 4 ½.
()
Really suspenseful, almost worth a heart attack at the end. God. While I would have voted for the film to be set anywhere other than Iraq, the location was ultimately the last thing I was interested in. The theme of the living funeral has been interesting for both readers and viewers since E. A. Poe and director Cortés handled it brilliantly. The atmosphere is dense, unpredictable things happen, and the main character's phone calls from trying to find anyone to help him in one of the final scenes are more chilling than the underground stay itself. Ryan Reynolds gave a great performance and I praise Victor Reyes' honestly over the top music.
()
I'm sad to say that this claustrophobic spectacle didn't impress me at all. I acknowledge that the screenplay writer and director achieve maximum results with minimal space and resources to keep the viewer's attention, but it's still a very relative success. What matters to me is that I can't believe in the film. Granted, with other genres, I don't concern myself as thoroughly with the logic of what I see, and I'm not strict in my assessment because otherwise, I wouldn't enjoy them at all. However, the fact that this thriller is based on nonsense should be easily uncovered even by an elementary school student. Overall impression: 40%.
()
FUUUUUUCK! A tricky situation, don’t you think? An ingenious idea to shut a guy in a coffin and then to take all his hopes away one by one. That in itself has the potential for at very least some breathtaking, erm... entertainment (?) that can be completely emotionally draining for the viewer. Buried remains somewhere in mid journey, and its main enemy is time. If the movie were an hour long and it could have been absolutely perfect, this way it’s one and a half hours and is “merely" above average. The side-stories are so unlikely that they are damaging and take the attention away from the most important aspect, intruding into the stifling atmosphere which the absolutely amazing direction managed to create. The camerawork and the lighting are first rate. And we also have Ryan Reynolds who gives the performance of a lifetime. An extraordinary picture. What’s your social security number?
()
I can't say I was bored, but some of the script choices really spoiled the overall impression for me, like the snake and the frustratingly inept people on the phone. The same premise was handled much better in the two-part episode "Grave Danger" from CSI: Crime Scene Investigation, directed by Quentin Tarantino. However, I do give a thumbs up for the intense and surprising ending. Overall, though, it felt like a bit of a missed opportunity for such an interesting concept.
()
Ads